10 WORD REVIEW: Frank Hamilton @ The Institute, Apr 24th

Pics & 10 Word quotes by Lucy Heath / Words by Ed King

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Not to be confused with the older, balder, more American musician, Cambridgeshire born Frank Hamilton released his first EP, ‘You, Your Cat and Me’, back in 2008.

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Gaining significant support from BBC Radio 2 and XFM, Hamilton‘s debut EP soared.

Support slots and plaudits followed, with record exec promises close behind. It looked like stardom loomed.

But the 7th floor dreams were never made a reality, and three reluctant years passed until Hamilton’s next widespread release – the self financed, ‘Words and Nothing More’.

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Entering the iTunes singer/songwriter charts at #4 in Dec 2011, Hamilton decided to maintain the momentum throughout 2012 with his ‘One Song a Week’ project.

An ambitious plan to write, record and release one song a… you get the idea.

So a busy 2012, but one that ended in a No1 selling album of his 52 week endeavour. Job done. And you can’t argue the man’s graft.

Frank Hamilton played The Institute on Weds April 24th. Lucy Heath went in search of a Birmingham 10 Word Review.

10 WORD REVIEW

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“It’s (Frank Hamilton) an original act, it’s been a good night. I like that its small and close-nit” Hayley & Heidi

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“It’s the first time I’ve been here and it’s been fantastic. The support acts were good. It’s been a really great night.” Mark

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“Amazing, really good night. We now want to stalk Jasper in the Company of Others (support band) and we LOVE Frank!” Nikki & Rachel

**To submit your own 10 Word Review, email ed@birminghamreview.net – citing the date, venue and gig. Make us laugh (cry, think, respond) & get your reward**

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 For more on Frank Hamilton, visit http://flavors.me/frankhamilton

For further gigs at The Institute, visit http://mamacolive.com/theinstitute/

 

UPDATE: Beta Birmingham – Drop Beats Not Bombs @ Q Club & Glitch FM

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Couple of updates from Beta Birmingham, the locally based label and Glitch Hop champions.

First off, Beta Birmingham are hosting the Basstronics stage at Drop Beats Not Bombs 10th Anniversary this weekend, with the following putting in an appearance: Barbarix, Shamanic Technologies, ADJ, Beta Test (live), Spenghead, DJ Switch, Kryme, Skanky Panky Allstars & and a VJ set from Leon Trimble.

All for £10, with five other stages thrown in. None too shabby.

Check out the DBsNBs Facebook page for more info – click here or below.

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**VENUE CHANGE – Drop Beats Not Bombs 10th Anniversary will now be held at the Q Club, NOT on Pickford Street as previously advertised**

Second up – if you’re not quite 100% on what the ‘ere Glitch Hop thang is… well, fret no more, because here’s 2hrs of it to get you’re teeth into.

Beta Birmingham‘s Terrorbyte & Automaton host their monthly show on Glitch.FM, with a special guest mix from Chris De Luca (Funkstorung).

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So click and learn children of music, click and learn.

For more on Beta Birmingham, including a free download of thier latest album – Council Pop, visit http://www.betabirmingham.co.uk

Beta Birmingham host the Basstronic stage at Drop Beats Not Bombs, on Sat May 4th. For more info on this event, visit https://www.facebook.com/events/453141008076523/

COMPETITION: Win Peace Tickets – O2 Academy, April 27th

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So, unless you’ve been living in a Birmingham musical bunker (without WiFi), you’ll know Peace are playing at the O2 Academy on Sat 27th April.

You’ll know they have a hotly tipped debut album out – ‘In Love’ (BhamReview will be reviewing post gig), you’ll know they’re on a UK tour, and you’ll probably know someone who knows someone who went to school with one of the Kossiers.

But you might not have ticket, so Birmingham Review are giving away a pair of passes – CINDERS, YOU CAN GO TO THE BALL.

All you have to do is answer the following question. You don’t even have to get it right, if you make us laugh (cry, vomit, fall over) you stand a good chance of winning. Here goes:

Q: Birmingham Review last saw Peace support Editors at the Institute in June 2012, but what ‘decoration’ is reporter Holly Pyke hoping they won’t have on stage this time?

Ah the possibilities…

Answer by ‘Liking’ the Birmingham Review Facebook Page & sending a Direct Message, or emailing info@birminghamreview.net

Please include contact details & a phone number. Winners will be announced on Friday 26th April.

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Peace play the Birmingham O2 Academy on Saturday April 27th. For tickets and info, visithttp://www.o2academybirmingham.co.uk/event/51414/peace-tickets 

For more on Peace, visit http://peaceforeverever.co.uk

REVIEW: Gabrielle Aplin @ Institute, March 14th

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Words by Ed King

I struggle with youth; my own (its subsequent disappearance), those with legitimate claim, and the childish exuberance from others around me.

And I’ve been struggling a lot recently, hearing something heart wrenching – only to discover it’s come from someone half my age, armed with only nativity, anger, ivory or bronze.

I’m too old to ‘relate’, and I don’t want to try. Let Jackson Browne tell me about heartache.

But whilst I can ignore the bus seats or park benches, those churlish explosions, I can’t ignore a stage, a microphone and 15k rig. Or a sell out UK tour, something Gabrielle Aplin has been enjoying throughout March.

Perhaps this is why I’m late, some subconscious denial (or it could be leaving my wallet at home) but as I hear a healthy cheer come from the Institute’s subterranean venue, I start to think tonight’s gig isn’t all I’m close to missing.

“This is the first time I’ve been to Birmingham without eating a curry,” offers Aplin, trying to goad an oddly reticent crowd. I squeeze up to the bar, and position myself so I can see at least half of her backing band; the packed room making me feel more short than old.

Aplin opens with ‘Panic Cord’; a foot stomping teen shrill, with more questions than answers, which she punches proficiently off stage.

As she segues into song two, I sense sensing the spectre of bad a soundcheck and struggle to hear. Aplin introduces Toke, the Skrillex of the violin world, and moves confidently on – despite the muffled distortion making the new strings barely audible.

‘How Do You Feel?’ slowly plucks through its opening verse, with soft throb from the back line making way for violin, keys and harmonies in the second chorus.

‘November’ gets a jangly six string strum introduction, and allows a solid platform for Aplin to deliver a considered vocal range. I’ve noticed a warble in Gabrielle Aplin’s voice, one that’s quite prominent on the studio recordings; but in this track, on stage and live, she nails it.

A bad microphone drowns out her calls for a clap-a-long, before the simple melody of ‘Salvation’ builds to a thunderous percussion and full band crescendo. I write ‘Coldplay arena moment’ in my notebook, but I’m not retrospectively so sure that’s such a compliment.

Aplin moves over to the keyboard for ‘Alive’, a “cheeky song” she wrote with her producer – Mike Spencer at EMI‘s studio time expense. Soft rolling keys over subtle guitar, with lifted vocals delivering a firmly held “realise/feel alive” chorus; intimidatingly accomplished.

The set continues with a collection of dedications, covers and tracks available for digital download. And, despite a misguided version of ‘Wisely & Slow’ by The Staves, Aplin maintains confident control of a strangely dubious room.

Gabrielle Aplin was recognised for her online solo performances, but works well with her band tonight; a partnership not all singer/songwriters can enjoy. She performs a rainbow of pace with believable grace; although the frenetic delivery of ‘Keep Pushing Me’ makes me imagine Mumford & Sons on Meth.

I enjoy the live sound (despite the dubious settings its coming through) with an excelled appreciation I didn’t get from the studio releases.

And whilst lyrically Aplin is noticeably young, and can fall into a puppy-dog-vocal-warble-trap that she’s talented enough to avoid – on the whole, I’m in.

I sense a maturity, something I didn’t appreciate before seeing her on the Institute stage; one that paints a reassuring backdrop for her debut album.

And something hopefully reciprocated by her audience, when Gabrielle Aplin tours some ‘scarily big venues’ this autumn.

For more on Gabrielle Aplin, visit http://www.gabrielleaplin.co.uk

For full listings at the Institute, visit http://mamacolive.com/theinstitute/listings

Or for more from Birmingham Promoters, visit http://www.birminghampromoters.co.uk

REVIEW: Digbeth Dining Club – Relaunch @ Spotlight, Lower Trinity Street / March 1st

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Words by Ed King / Pics by Charlotte Rose

As I circle the back streets of Digbeth, Energy 52 on the CD player and an industrial graveyard outside my windows, I feel I’ve been here before.

Only tonight I’m wearing shoes, there are no pills in my pocket, and the chance of seeing Slipmatt is overwhelmingly unlikely.

Unless of course he’s hungry (nice segue…) as tonight is the relaunch of the Digbeth Dining Club, “a place where people can come after work on Friday, where everything is available.” Considering my initial reference, I should clarify; four stalls, selling “artisan food” in the small courtyard at the back of Spotlight in Digbeth; with enough trestle tables, chairs and happy hour beers to encourage a gregarious feel. Crowd 1 - SM

“Don’t get me wrong, we like fine dining,” say organisers Jack Brabant and Mark Laurie, “but we wanted to make good food accessible – a place offering tastes that you would have in top end restaurants but for about £4-5.”

“Most of the stall holders here are chefs,” explains Laurie – who is also Director of NCASS, a national trade association for ‘event and street food catering’, “who use the mobile catering units as a way to experiment and create new recipes”. I look behind me to a popular stall called The Hungry Toad, and the birthplace of the notorious full English burrito.

But there are other, less breakfast based menus on offer; with The Meat Shack apparently proffering the best burgers in Birmingham. A bold statement, and direct challenge to any burger enthusiast. I take my place at the back of a very long line.

Jabberwocky menu - SMEn route, the queue forces itself past Jabberwocky – a husband and wife team offering ‘street food and bespoke catering’.

Tonight’s menu is toasties, lots and lots of toasties; ranging from a posh ham and cheese, a shoulder of lamb with caramelised onions, to the infamous ‘Banoffee’ – which is exactly what you think it is.

So out of hunger, intrigue and sympathy that the queue for their neighbours, The Meat Shack, is blocking their frontage (but mainly hunger) I ask the bouncy Flick and Barry to recommend something. They suggest the crab with wilted spinach and chive mascarpone, the most expensive item they serve at £5, and I nervously tuck in. I am complicit, but deeply suspicious of seafood.

Despite looking like, well – a toastie, it surprises me greatly. The crab is subtle, blending almost Flick & Barry Luxmoore - SMunnoticed with the chive mascarpone; allowing the wilted spinach (or seaweed as Charlotte, the BR photographer and proxy taste tester, expected it to be) just enough room to wipe your tongue clean. Next time I’ll try the lamb, but I am pleasantly surprised.

But bollocks to toasties, it’s burger time.

And as Paul, who gave up a life of graphic design to become the purveyor of beef sandwiches (after having seen “a gap in the market”?) is busily organising the most meticulous serving counter I’ve seen on four wheels, Charlotte and I have a look down the menu. I want it all, The Meat Shack menu - SMbut I settle for ‘The Hell Shack’, complete with peppers, fried onion, hot green bullet chilies and  ‘oozy American cheese’.

Charlotte snags the last ‘Buffalo Blue’, with blue shack slaw, blue cheese topping and Franky buffalo sauce, and we squeeze onto some bar stools in Spotlight to eat.

Cooked in a brioche bun, The Meat Shack burgers fulfill the most crucial of all sandwich law; to sustain its integrity. Like a tower block of pensioners, nobody wants to be left with a crumbling mess.

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‘The Hell Shack’ is hot, spicy, but pleasantly bearable (God bless Brum’s Bengali chefs for toughening our taste buds). It’s delicious, with considered balance and fine quality beef. But a touch small for my liking, my only complaint. Charlotte couldn’t fully describe the ‘Buffalo Blue’, being too busy eating it and I take this as a positive sign. Plus it was the first menu item to sell out.

I finish, and need something to dodge the last hot green bullet chili. Mercifully Spotlight has a 2 for £5 beer promo on – which, in the interests of journalistic endevour, I explored. Twice. Then went outside for more food.

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Van 29 was my next stop, which I will explain to you in dialogue. Picture the scene; man approaches van, looks up, and sees a cardboard sign declaring ‘Chicken Sold Out’:

BR: ’Chicken Sold Out’… What else would you recommend?

Van 29: ‘What?’

BR: (points to sign) ‘Chicken Sold Out’, what else would you recommend?

Van 29: ‘I think The Hungry Toad is still serving’

BR: No, I mean from you. What else would you recommend?

Van 29: (looking incredulous) We’ve sold out of chicken?

BR: (now also looking incredulous) Hence the prefix, ‘what else’

An awkward pause…

Van 29: We only sell chicken. I could make you a waffle?

The Hungry Toad 1 - SMI follow his initial advice and move over to The Hungry Toad; which I discover, whilst scouting the crowd for Vox Pops, has been the reason several people attended.

But The Hungry Toad had also sold out, although I am explained this with handshakes, mirth and a promise to return. So watch out breakfast burrito, you’re now top of my hit list.

Digbeth Dining Club is a wonderful concept, although – in my mind, the London comparisons are not needed or helpful. Ambitious, creative and well attended on a cold March 1st evening, I keep sincere fingers crossed for its long standing success. Plus the two men behind it seem to have enough nouse and resources to see it actually ‘develop’.

Girls eating burgers - SMMy biggest complaint was the food selling out, a bad move for an event selling food, and the layout of food stalls felt a little crammed in. Although Spotlight, with a spacious mix of seating and fluid bar staff, works well as a host venue on the inside.

But I’ll be back, minus pen & paper; Digbeth Dining Club has that loquacious energy that makes festivals such fun. I shared my evening between people I hadn’t seen in years and people I’d just met, all with genuine affection People 2 - SMfor the event they’re attending.

To surmise, I scan through my notebook; random conversations, sporadic giggle fits, feelings of store bought solidarity and general goodwill…

Maybe it’s not so different from an evening of warehouse dayglow after all. Only quieter, cleaner and with much safer burgers.

Digbeth Dining Club is held every Friday at Spotlight, with entrances on Lower Trinity Street and Heath Mill Lane. Food is served from 5:30pm.

For more information on Digbeth Dining Club, visit http://www.digbethdiningclub.co.uk