The Gallery Archives - Page 6 of 12 -

December 1, 2017

THE GALLERY: Enter Shikari @ Arena Birmingham 24.11.17

Words & pics by Eleanor Sutcliffe

The last time I saw Enter Shikari, I was young, drunk (sorry mum) and throwing myself around a circle pit in Manchester’s Victoria Warehouse. Since then I like to think I’ve grown up a bit, but their politically charged music is something I’ve never managed to get out of my head. So when I heard they’d be playing in Arena Birmingham, I knew there was no way I could afford to miss it.

First up was Newport born and bred Astroid Boys. I’m kicking myself for not seeing these guys earlier on the local circuit as they were absolutely brilliant. Their mashup of grime and punk music looks awful on paper and yet these guys manage to pull it off flawlessly in real life.

Tracks such as ‘Foreigners’ off their latest album, Broke, had the crowd bouncing and dancing along like it was no one’s business. Their sound is fresh and exciting – like nothing I’ve heard of late. These guys are sure to go far and securing a tour supporting Enter Shikari is just the beginning of it.

Next, was Lower than Atlantis. Ignore everything you read about these guys delivering lackluster shows, because they were on fire this evening.

Mike Duce’s responsibilities are taken up with rhythm guitar and vocals, so granted he may not be the most energetic front man but their set was polished to perfection. Varied enough to give the crowd a taste of their newer material from their most recent album, Safe In Sound, but still delivering on the older material that fans fell in love with such as ‘Here We Go’ and ‘English Kids in America’.

And finally, Enter Shikari. Although I knew how much they had invested in the visual aspect of the show nothing could have prepared me for the theatrical lengths they had gone to. A large screen flickered above the stage, displaying a flight radar that synced with a quadraphonic sound system which surrounded the room. The sound of low flying aircraft echoed around Arena Birmingham to a buzzing telegram explaining a mission to the crowd. The atmosphere was intoxicating, with the build up causing furor amongst the audience.

Bursting on to the title track of their latest album, The Spark, Enter Shikari proceeded to deliver what I consider to be the best show I’ve seen this year. Their energy was dazzling, with every band member cavorting across the stage to a mass of strobe lighting and smoke. Tracks such as ‘Undercover Agents’ were announced by Rou hitting them into a typewriter which was projected onto the large screen above.

Enter Shikari’s theatrical capabilities knew no bounds for the evening, with every single song being an individual show in itself. And my God, did the crowd love it… From the frenzy inducing tracks such as ‘The Last Garrison’ to Rou’s distilled and heartbreaking rendition of ‘Airfield’, the Arena Birmingham audience could be heard (and seen) screaming along to every verse and chorus.

It’s always an odd experience watching a band who mean so much to a group of people. Settling myself on the balcony, I took a moment to watch the crowd – it was unlike anything I’d seen before. They were not reaching out to grab the band members, they were holding their friends hands and singing and dancing in groups.

It’s refreshing to see a band with such politically charged music also mean so much to a group of people. I never wanted this show to end. Enter Shikari, I salute you. You’ve blown me away, yet again.

Enter Shikari @ Arena Birmingham 24.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on Enter Shikari, visit www.entershikari.com

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Lower the Atlantis – supporting Enter Shikari @ Arena Birmingham 24.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on Lower the Atlantis, visit www.lowerthanatlantis.co

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Astroid Boys – supporting Enter Shikari @ Arena Birmingham 24.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on Astroid Boys, visit www.astroid-boys.com

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For more from Arena Birmingham, including full event listings and online ticket sales, visit www.arenabham.co.uk

For more from DHP Family, including all national tours and venues, visit www.dhpfamily.com

October 9, 2017October 8, 2017

THE GALLERY: New Found Glory @ O2 Academy 30.09.17

Words & pics by Aatish Ramchurn

The thing with the days now getting shorter is that the moment it starts turning dark, you feel like you’re running late.

At least, that’s how I felt as I was making my way to the O2 Academy – heading out to see long-time pop punk band, New Found Glory, as they arrive in Birmingham for their 20 Years of Pop Punk tour. Turns out I wasn’t late at all, but rather ten minutes early.

Each date of New Found Glory’s UK 20 Years of Pop Punk tour features tracks from two of their nine albums, plus songs from their new album, Makes Me Sick.

Birmingham’s set list would include tracks from Sticks and Stones and the self titled New Found Glory, albums which contained the more popular songs that propelled them to fame in the early 2000s.

Opening the night is Eastbourne’s five-piece, ROAM – the only support act. Soon to be releasing their second album on Hopeless Records, Great Height & Nosedives, ROAM grace the stage with an energetic set of heavy, pop punk anthems, at times encouraging circle pits. Judging from the people singing at the front ROAM have been built quite a fanbase in Birmingham and, after this set, have probably gained some new ones.

On to New Found Glory, who began their career as a quintet until guitarist Steve Klein left the band in 2014. The stage darkens, and the ‘Happy Anniversary’ melody from an episode of The Flintstones plays before they storm onto the stage, opening with ‘Understatement’.

I’m fairly certain that from the start there were four photographers in the photo pit. But that number appears to have doubled about one minute later, as if we have multiplied like Mr. Meeseeks from Rick and Morty. All of us are scrambling across the photo pit as Jordan Pundik, Ian Grushka and Chad Gilbert pace across the stage, showing no signs of ever slowing down.

As well as having to watch myself not bumping into other photographers, security has to look after the flurry of oncoming crowd surfers. I guess the ‘No Crowdsurfing’ sign, usually seen in both the O2 Institute and O2 Academy, is being ignored for tonight. Needless to say, this was probably the most intense photo pit experiences I’ve had (or so I thought before KRS-One).

Although the 20 Years of Pop Punk wasn’t a sell out show tonight there is still a decent turn out, with voices from the front to the back of the room singing along in pop punk unity to ’My Friends Over You’ at the end of the set. But New Found Glory’s night in Birmingham didn’t end at the O2 Academy, as they made a brief appearance at Subside, in Digbeth, to play DJ set and take photos with some of their fans.

New Found Glory @ O2 Academy 30.09.17 / Aatish Ramchurn – Birmingham Review

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ROAM – supporting New Found Glory @ O2 Academy 30.09.17 / Aatish Ramchurn – Birmingham Review

October 9, 2017October 8, 2017

THE GALLERY: KRS-One @ Hawker Yard 01.10.19

Words & pics by Aatish Ramchurn

Hip hop veteran, KRS-One, arrives in Birmingham to close his six date UK tour, for what’s been described as an exclusive and ‘intimate’ show at Hawker Yard.

When it comes to gigs, I’ve always taken the term ‘intimate’ to mean ‘artist playing in smaller setting than they normally would’. But as I look at Hawker Yard for the first time – with it’s tiny, wooden stage and tented roof covering a pebble-floored area no bigger than a local pub – I realise that intimate, in this case, really does mean intimate.

The evening has been warming up with DJs from the monthly Feel the Vibe nights at Hawker Yard, with kids break dancing in the middle of the floor, reminiscent of hip hop in the 1980s, only with a boombox missing.

(It would have been great to have had some photos of the break dancers, but I did not bring my flash with me and the environment was way too dark to capture anything. In fact, I was feeling like this whole night was going to be a challenge, in terms of lighting)

The live sets start at around 9pm – kicking off with Omen, then followed up by Maxi Zee from Germany. They had 15 minutes of stage time each, but it was enough time for both acts to make an impression on the Hawker Yard crowd. At this point in the night, I had enough room by the stage to take photographs, but the moment Trademark Blud came on stage I knew that things would get even more difficult for me when KRS-One shows up.

Trademark Blud, supported by his beat maker and DJ, Tricksta, captivates minds with his hard hitting, politically conscious brand of hip hop. I restrict my photography by retreating away from the stage as more people are towards it. Whilst watching Trademark Blud rapping frenetically, I strategise just how I’m going to take photos of KRS-One in a closed setting like this.

The moment Trademark Blud leaves the stage, I make my way forwards and occupy the small gap left between the audience and the front of stage by squatting there. This spot is mine. And whilst I may make this sound uncomfortable, the truth is that it feels very relaxed; Hawker Yard just has a really friendly vibe, much like a community where you are simply made to feel welcome.

The man of the night, KRS-One, takes to the stage. Wildly glaring at the audience, and looking to make this a big night as Birmingham is the city he is closing his UK tour with. I take as many shots as I can before he even begins his first song, as I know it’s going to get rowdy as the night progresses.

KRS-One points to the area I’m occupying and says “It’s empty here” encouraging the audience to move closer to him, which they do with little hesitation. I spring up like a meerkat to avoid being trampled on, but I’m very much stuck in between people, all with their phones held high, capturing the moment that they were all standing right next to KRS-One.

I’m smiling throughout all this, mainly because I’ve never had this experience as a photographer; as if the low light wasn’t challenging enough, try getting any clear shots of an artist when squeezed in between so many fervent fans.

Wanting to get a few more crowd shots I retreat from the front, checking at the images at the back of my camera to make sure I’m happy with what I’ve got, as once I’m out there will be no return. And I had expected ‘Sound of Da Police’ (taken from KRS-One’s first album, Return of the Boom Bap) to be left until last, but fortunately for me it wasn’t so I could take my leave from the front after that.

But the whole idea of being a concert photographer is capturing these moments as they are. And that’s what these photos from KRS-One at Hawker Yard represent – a night where there is no stage, or status barrier between artist and audience, but one where a venue is simply united by hip hop.

KRS-One @ Hawker Yard 01.10.19 / Aatish Ramchurn – Birmingham Review

For more on KRS-One, visit www.krs-one.com

For more on Trademark Blud, visit www.trademarkblud.bandcamp.com

For more on Tricksta, visit www.facebook.com/TRICKSTA

For more on Hawker Yard, including full event listings, visit www.hawkeryard.com

For more on Mostly Jazz, including full event listings and online ticket sales, visit www.mostlyjazz.co.uk

September 4, 2017September 3, 2017

THE GALLERY: Parquet Courts @ O2 Institute 31.08.17

Words by Helen Knott / Pics by Phil Drury

A lot of bands don’t have one talented frontman, so it seems almost greedy of Parquet Courts to have two.

Andrew Savage is the first to grab your attention, his stern intensity giving him a commanding presence. But mirroring Savage just across the stage is Austin Brown, providing light to counteract Savage’s darkness, jollying things along with the audience and impressing with his laid back vocals.

Parquet Courts begin with a breathless series of songs from their most recent record Human Performance. In chugging opener, ‘Dust’, Brown playfully sings the refrain, “dust is everywhere… sweep!” – an anthem for neat freaks. Human Performance’s title track sees Savage at his most vulnerable, narrating a relationship from beginning to end, crooning verses alternated with howling choruses. The lyrics are gorgeous and it’s quite simply their best song.

A languid version of ‘Captive of the Sun’ is missing the zip (and rapping abilities) of recent collaborator Bun B, but ‘Berlin Got Blurry’ is dependably catchy, with Savage’s delivery reminiscent of the Hold Steady’s Craig Finn. That’s definitely a compliment.

The second half of the set draws more from the band’s older material. Short, punky songs like ‘Light Up Gold II’ are ideal for moshing, but lack the subtleties of some of their better songs. The set ends back where we started, with a track from Human Performance; ‘One Man, No City’ moves from a lo-fi vibe to heavy rock drums and squealing guitars, then seamlessly back again.

It’s a fitting close for tonight’s Parquet Court‘s gig, showcasing the best aspects of one of the most compelling bands, and two of the best frontmen, around.

Ed’s note… Check out some of Phil Drury’s shots of both Parquet Court and their support act, Ultimate Painting. Some real beauts below, but click here for the Full Flickr of Pics or on the relevant links.

Parquet Courts @ O2 Institute 31.08.17/ Phil Drury – Birmingham Review

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Ultimate Painting – supporting Parquet Courts @ O2 Institute 31.08.17 / Phil Drury – Birmingham Review

For more on Parquet Courts, visit www.parquetcourts.wordpress.com

For more on Ultimate Painting, visit www.ultimatepainting.band

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For more from O2 Institute, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

For more from Goldenvoice, visit www.goldenvoice.com

For more from This Is Tmrw, visit www.thisistmrw.co.uk

July 28, 2017July 29, 2017

THE GALLERY: The Hungry Ghosts – ‘Amerika/Lazaro’ single launch @ Centrala 22.07.17

Words by Ed King / Original pics by Rob Hadley

On Saturday 22^nd July, those slaughter house siblings let another one of their scaly offspring slither out unguarded across the plains… or if you’ve not read me write about them before, The Hungry Ghosts released a new single – their double a-side of ‘Amerika/Lazaro’.

Celebrating their latest twisted blues debauchery, The Hungry Ghosts had themselves a fine little single release shindig at Centrala – taking over the upstairs room (which we never knew existed until this event) for a smoke filled DIY affair on the banks of the Birmingham canal network. There was laughter, tears, mother’s ruin drunk straight from the bottle, probably a lost shoe or fractured corpse floating somewhere in the waters, plus a feast of friends coming from all across Albion for some superlative support. ‘Aint alliteration ace, anyway…

The acts that came to play at The Hungry Ghosts‘ ‘Amerika/Lazaro’ single launch are (almost) all represented in glorious Technicolor below, but if you need a chronological roll call: You Dirty Blue, Charlie Boyer, Average Sex, The Lizards.

But honestly, I was having too much fun to seriously comment. Or commit. Or converse, rationally, at points. Although I’ll tell you this for nowt – The Hungry Ghosts have been embedding a new line up this year and the results are blisteringly promising, both on stage and off. I saw the five piece first at The Sunflower Lounge for Counteract’s 7^th Birthday bash in April, with a fresh edge that had been somewhat needed. The fire was back. And their Centrala single launch was another notch above, so as trajectories go there’s something of a second attempt Icarus happening here.

Joe Joseph is fast becoming the front man of legends, whilst Billy Ollis seems to have tapped a little further into that dark spring that wells so wonderfully within him. Flanking the founders now are Jay Dyer and Emily Doyle, who feel like they have always been there, with Rich Burman proving that you can actually keep hold of a percussionist. He’s a keeper; they’re all keepers. This is the band The Hungry Ghosts should be.

So, blah blah blah. Adulation/opinion. Told you… having too much fun. But ‘Amerika’ rocks in every sense of the description so it’s all quite simple really:

1) Read my BPREVIEW here
2) Watch the official ‘Amerika’ trailer video via the link below
3) Buy a copy here – out on August 4th. This band needs to eat

‘Amerika’ – The Hungry Ghosts

Outside of all that, Rob Hadley had a more professional hat on at Centrala and there’s some smokey sex shots for you to skewer you’re way through – a few cherry picked below, or (heartily recommended) for the Full Flickr of Pics click here or on the relevant links.

And if you still need a guiding voice in your ear, you crazed bastard child of Bateman, then simply grab your leather bound Roget, flick those fingers to the words ‘sinister’, ‘gold’ and ‘vociferous’, then start to fill in the blanks. ‘Awesome’ might be worth a look too.

N.B. The Hungry Ghosts are back out on the road in August (tour poster above) so you’ll be able to see this for yourself. Diaries at the ready… Crofters Right (Bristol) 12^th August, Shambala Festival (Northamptonshire) 26^th August, Hare & Hounds (Kings Heath, B’ham) 27^th August.

The Hungry Ghosts @ Centrala 22.07.17 / Rob Hadley – Birmingham Review