BREVIEW: Reginald D. Hunter – Just the Tonic Comedy Club @ Rosies Nightclub 01.11.19

Words by Charlotte Heap / Pic courtesy of Just the Tonic Comedy Club

Reginald D. Hunter headlined Just the Tonic Comedy Club special on Friday 1st November at Rosies Nightclub on Broad Street, with support acts Simon Wozniak and Darius Davies – ably compared by regular host, Thomas Green.

Just the Tonic Comedy Club was founded in 1994 and has been running at venues across the UK ever since. Firstly, I must grumble. Doors closed for the show at 7.15pm, for an 8 o’clock start: arriving after work, this reviewer was hungry. I was surprised that only Chicago Town pizzas were on offer which were pretty pricey considering they are essentially frozen pizzas (and no crisps! – criminal). It’s a generous line-up too, meaning the show lasted nearly three hours: I soon decided to splash out on a pizza and was a little cranky to discover they’d sold out. The place was busy but not packed: this peckish punter would have appreciated better preparedness from the Friday night organisers. The scarcity of sustenance, however, did mean the lubricated audience lent a lively spirit to the show.

Rosies Nightclub is an intimate venue, a real old school comedy club with long tables (imagine the darts but much more ‘date night’) and large leather booths. Every seat has a good view and they even set out a free front row for the fearless or foolish, a foot from the stage: a chance we leapt at (I’d had four gins in quick succession on an empty stomach). Thomas Green (an acerbic, bearded Aussie who, like most Australians, makes liberal use of the C-bomb) worked the crowd well and deftly dealt with drunken hecklers. His quick banter built an audience bond which the acts bounced off. Spooky Halloween spiderwebs (and skulls which initially blocked the stage lights) stuck to each act and it was great to see how they each improvised to capitalise on the physical comedy.

As to the acts: Darius Davies (an Anglo-Iranian from London) was a decent warm up, funny if a little predictable (to be fair, I was ‘hangry’ at this point and he made the typical ‘Birmingham is shit’ joke, which nearly pushed me over the edge). Simon Wozniak’s set was better, slick self-deprecation delivered dripping in snark, which had the audience roaring. By the time Reginald D. Hunter arrived, his familiar large frame dominating the small stage as his grey dreads caught up in the cobwebs, the crowd was pleasantly pissed and well warmed up.

An American who has made the UK his home for the last two decades, Hunter is by far one of the most familiar faces on the comedy circuit in the UK today. Known for his acerbic wit delivered in honey tones: I’m most familiar with his tackling of subjects like race and sexuality on TV in his smooth South Georgia drawl.

Having enjoyed that comedy rarity of both critical and commercial success, his stand-up has become almost secondary to his television career, although he does tour regularly. His shortish set (around half an hour) seemed somewhat patched together from a longer show; he touched on race (the N-word), politics (the B-word) but then swung to love/sex/relationships jokes. Hunter is a seasoned pro: being given a glimpse into his personal life humanised him, but with richness in the political landscape right now it would have been great to see him riff more on the ridiculousness of both his adopted and home nation’s hubris. This is a niggle, however, Hunter was entertaining, showing a different string to his bow and we spilled out onto Broad Street happy, if very hungry.

Just the Tonic Comedy Club gives Brummies the chance to see comedy in a cosy setting: three quality acts and a compere for fifteen quid is a bargain night of entertainment in the centre of Broad Street. Be prepared, however: pack some snacks.

For more on Reginal D. Hunter, visit www.reginalddhunter.co.uk

For more from Just the Tonic Comedy Club (Birmingham), including further event listings and online ticket sales, visit www.justthetonic.com/birmingham-comedy

For more on Rosies Nightclub (Birmingham), including venue details and further event listings, visit www.rosiesclubs.co.uk/birmingham

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

BPREVIEW: Reginald D. Hunter – Just the Tonic Comedy Club @ Rosies Nightclub 01.11.19

Reginal D Hunter / Courtesy of Just the Tonic Comedy Club

Words by Charlotte Heap / Pic courtesy of Just the Tonic Comedy Club

On Friday 1st November, Reginald D. Hunter is headlining Just the Tonic Comedy Club special at Rosies Nightclub on Broad Street – with support acts Simon Wozniak, Darius Davies, and Thomas Green completing the line up.

Doors open at 6.30pm, with tickets priced at £15 (£12.50 concessions) – as promoted by the nationwide Just the Tonic Comedy Club. For more event information, including venue details and links to online ticket sales, visit www.justthetonic.com/birmingham-comedy/shows/friday-1-nov-2019/

Just the Tonic Comedy Club was founded in 1994 by Darrell Martin, a stand up in his own right, and has been running at venues across the UK ever since – ‘consistently boasting the most interesting line ups in the country’, according to The Times. According to Just the Tonic’s website. Promoting a show every Saturday at Rosies Birmingham, Just the Tonic has brought some well known faces from the comedy circuit to the second city, including Ross Noble, Milton Jones, and now Reginald D. Hunter – with Stuart Lee describing the club as ‘a really valuable part of the UK comedy scene’ in a 2010 interview.

An American who has made the UK his home for the last two decades, Reginad D. Hunter is known for his acerbic wit delivered in honey tones; tackling subjects like race and sexuality in his sweet smooth South Georgia drawl, his comedy can be controversial but is always cleverly articulated and dispensed with conviction. Hunter is by far one of the most familiar faces, and voices, on the comedy circuit in the UK today.

A television regular, Hunter has become a staple on panel shows such as Have I Got News for You, 8 Out Of 10 Cats Does Countdown, Never Mind the Buzzcocks, and QI. He’s also branched out into documentary making: Reginald D. Hunter’s Songs of the South and its equally successful follow up Reginald D. Hunter’s Songs of the Border explored the growth of American music on BBC2.

Having been first nominated for Edinburgh Comedy Awards Best Newcomer in 2002 for his debut solo show I am What I am, Hunter has enjoyed that comedy rarity of both critical and commercial success –  so much so that his stand-up has become almost secondary to his television career, although he still tours regularly.

Just the Tonic Comedy Club brings Birmingham comedy fans the chance to see some of the circuits best loved acts perform in an intimate setting on Broad Street: less arena tour, more old school stand-up show.

Reginal D. Hunter performs at Rosie’s Nightclub on Friday 1st November, supported by stand up comedians Simon Wozniak, Darius Davies, and Thomas Green – as promoted by Just the Tonic Comedy Club. For more event information, including venue details and online ticket sales, visit www.justthetonic.com/birmingham-comedy/shows/friday-1-nov-2019/

For more on Reginal D. Hunter, visit www.reginalddhunter.co.uk 

For more from Just the Tonic Comedy Club (Birmingham), including further event listings and online ticket sales, visitwww.justthetonic.com/birmingham-comedy

For more on Rosies Nightclub (Birmingham), including venue details and further event listings, visit www.rosiesclubs.co.uk/birmingham

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

BPREVIEW: BE FESTIVAL @ Birmingham REP 02-06.07.19

Words by Ed King / Pics courtesy of BE FESTIVAL

BE FESTIVAL returns to the Birmingham REP for it’s 10th year, presenting a daily programme of workshops, seminars and evening performances from Tuesday 2nd July to Saturday 6th July. There will also be the BE FESTIVAL Interval Dinner – hosted on the REP’s main stage each evening, where patrons are invited to enjoy a mid-programme meal alongside the artists preforming and the festival team.

Showcasing work from performers, artists and productions companies from all across Europe, BE FESTIVAL’s main programme begins at 7pm during the week and from 12noon on Saturday 7th July. Day tickets are priced at £24 (includes both shows and dinner) or £16 (without dinner), with concessions also available. You can also purchase a Week Pass for £60 (without dinner) or £100 (including dinner), or a separate Weekend Pass for £45 which must include dinner.

BE FESTIVAL also run ‘a separate programme of amazing visual arts, exhibitions, talks, workshops and music’ for free, every day of the festival. For more BE FESTIVAL information, including the full programme and links to online ticket sales, click here.

BE FESTIVAL (or Birmingham European Festival, to give it it’s full name) has been hosting its varied programme of theatre, performances and art for a decade now, launching at REP – where it has remained – back in 2010. Spawned from an Arts Council meeting to explore the future of theatre in Birmingham, BE’s founding mother and fathers – Isla Aguilar, Miguel Oyarzun and Mike Tweddle – formulated an event programme inspired by the Spanish ACT Festival, reportedly scribbling down their initial ideas on a napkin in a Birmingham curry house. A festival fable we want to believe so much we won’t even question it.

But film clichés and Birmingham’s cuisine culture aside, BE FESTIVAL had a serious and respectable agenda – namely, to bring the best of independent theatre and performance pieces from across Europe to be celebrated in Birmingham, with ‘the ultimate aim of breaking down borders, that only serve to divide us’. Admirable stuff, especially against the backdrop of an increasingly divisive small and big ‘p’ political mindset about Britain’s place in the wider European community.

Indeed, it seems that BE FESTIVAL has been somewhat ironically placed in the calendar over the past few years – with the regular July event being wrapped around some pretty pertinent political bluster since it all went a little sour back in 2016. But then irony knows no bounds in Whitehall, and I suspect there’s one erstwhile Secretary of Sate for Culture who’s invite might arguably get lost in the post these days.

But BE FESTIVAL is not about politics or propaganda (not directly, at least) – it is a celebration of theatre, a cultural event for Birmingham to be proud of as it opens its doors to a programme of European productions in an annual showcase event. Something that the second city was curiously lacking.

As BE FESTIVAL founders, Aguilar and Oyarzun, told Birmingham Review back in 2017, when they first came to explore Birmingham’s cultural landscape: “…we asked people ‘so when is the Theatre Festival happening? The International Theatre Festival?’ Assuming there was one. And they said ‘no, there’s no theatre festival. There’s a brilliant performance festival, there are festivals of music, festivals of cinema, but there’s no theatre festival.’ We were kind of a bit surprised by that really.” And so BE FESTIVAL was born… cue mood music, dramatic lighting and a shot of an ink stained napkin.

So, what’s on at BE FESTIVAL 2019? Too much to cover in its entirety, but with up to three performances each night ‘transforming the rarely seen backstage areas into a lively festival hub’, we’ve cherry picked a few from the overall programme that looked particularly exciting to us.

On Tuesday 2nd July, as part of the opening day for BE FESTIVAL 2019, last year’s first prize winner – BE FESTIVAL issues awards to the best performers and productions from each’s year’s line-up – Tom Cassani (UK) performs his latest piece of trickery and deception, I Promise You That Tonight. Challenging ‘those who make extraordinary claims’, Cassini will ‘proselytize, pedal and preach the importance of remaining wary’ about anyone who’s promises seem just that little too good to be true.

Wednesday 3rd July sees some adventurous physical theatre, as Maxime Dautremont and Foucauld Falguerolles (Belgium) ‘present amazing feats of acrobatics amongst axe throwing and Chinese pole technique’ in their show One Shot. Followed by choreographer Paula Rosolen’s (Germany) exploration of ‘what now remains of ‘punk’’ – using dance to dig into the ‘visual language’ of the punk movement in PUNK‽

On Thursday 4th July, Ça Marche (Catalonia / Spain) ask ‘how can we dream the best future for our world?’ in their show Silence – answering through the minds of children, ‘free of inhibitions, untainted by imagined reason or ethics.’ Heady stuff… there’s also ‘improvised chaos, snow and giant blow up monsters.’ Then on Friday 5th July, Anna Biczok (Hungary) ‘mixes memories, imagination, and changes in perspective’ to explore what it means to truly live in the moment – in her solo lecture performance titled, Precedents to a Potential Future.

As part of the final day at BE FESTIVAL 2019, on Saturday 6th July, the Barcelona based theatre company La Conquesta del Pol Sud (Spain) perform A Land Full of Heroes – a play co-produced by University of Birmingham, that follows the life of Romanian writer Carmen-Francesca Banciu as she ‘remembers her life-changing trip to Berlin in 1990, a year after the fall of the wall and off the back of the Romanian revolution in Bucharest’, asking ‘was Berlin the mirage of a new European vision?’

Then during the Saturday evening’s main programme, Marco D’Agostin (Italy) presents Avalanche – an award winning production where the two protaganists are ‘locked together in the aftermath of Cyclops’s gaze’ and dance to ‘fill their new blasted world with meaning’ in a show that is ‘desperately piecing together meaning in search of an outcome.’

And that’s, quite lietrally, not even half of it – click here for the full festival line up. Birmingham Review will also be publishing updates from each night of the BE FESTIVAL 2019, so watch this space for gentle nudges to go and check the programme out for yourself.

BE FESTIVAL 2019 – Official Trailer

https://vimeo.com/337405508

BE FESTIVAL runs daily at the Birmingham REP from Tuesday 2nd July to Saturday 6th July. For direct festival information, including a full line up and links to online ticket sales, visit www.befestival.org/festival

For more on the wider BE FESTIVAL activity, outside of the 2019 programme, visit www.befestival.org 

For more from the Birmingham REP, including further event listings and online ticket sales, visit www.birmingham-rep.co.uk

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

BPREVIEW: BenDeLaCrème’s Inferno A-Go-Go! @ O2 Academy Birmingham 26.08.18

BPREVIEW: BenDeLaCrème’s Inferno A-Go-Go! @ O2 Academy Birmingham 26.08.18

Words by Ed King

On Sunday 26th August, BenDeLaCrème’s Inferno A-Go-Go! comes to the O2 Academy Birmingham – as presented by The MJR Group.

Doors open for Meet & Greet ticket holders from 5:30pm, with the VIP Meet & Greets happening from 6pm to 7pm. The hoi polloi can get access from 7pm – with entry allowed for anyone 14 and over, although under 16s will need adult accompaniment.

Standard tickets are priced at £31.45, with a little extra on top depending on how you want to collect them. For direct event information, including venue details and links to online ticket sales, click here.

Last seen by Birmingham Review at The Glee Club back in March, BenDeLaCrème shot to international acclaim through series 6 of RuPaul’s Drag Race – winning a yet to be broken five challenges in a single season, but then stepping down from the crown and making way for Bianca Del Rio to take the top spot.

A seasoned burlesque performer and actor, BenDeLaCrème has toured three solo shows including her Inferno A-Go-Go! – all of which premiered off Broadway and went on to enjoy international runs. This particular UK stint sees BenDeLaCrème’s Inferno A-Go-Go! start off with two nights at The Clapham Grand in London on Wednesday 22nd and Thursday 23rd August, stopping off in Birmingham on Sunday 26th August, then going on to theatres across the UK before laying itself to rest, for the time being at least, at The Assembly Rooms in Edinburgh on Saturday 1st September.

If you miss any of those shows and you’ve got a really serious bus pass, you could always make the next two in Canada – but for full tour details of BenDeLaCrème’s Inferno A-Go-Go!, click here.

So what can we expect when BenDeLaCrème’s Inferno A-Go-Go! comes to town..? Regular readers of Birmingham Review will know by now, if they didn’t before, that whilst drag is full of fabulous fun there are also intelligent undercurrents behind many performers on the scene. And BenDeLaCrème is one of the more high profile voices worth listening too.

Her Inferno A-Go-Go! show takes its name from Dante’s poetic journey through hell (and possibly a nightclub in West Hollywood) with the nine circles of torment setting the stage for BenDeLaCrème’s insightful wit, the odd musical number, and even some puppetry, so we’ve been told.

But we’ve also been told ‘there is real heart’, as the doomed creatures that feature on this camp journey through hell question the why, wherefore, and what the fuck did I do to end up here? And having never been one to shy away from the more honest side of pulling on your heartstrings, as well as a caustic catalogue that could keep Satan at bay, BenDeLaCrème is one queen well suited to such an exploration. And exclamation marks… I guess the devil’s work is never done.

BenDeLaCrème’s Inferno A Go Go comes to the O2 Academy Birmingham on Sunday 26th August, as presented by The MJR Group. For direct event information, including venue details and links to online ticket sales, visit www.academymusicgroup.com/o2academybirmingham/events/1127503/bendelacremes-inferno-go-go-tickets 

For more on BenDeLaCrème, visit www.bendelacreme.com 

For more from the MJR Group, including further event listings and online ticket sales, visit www.themjrgroup.com

For more on the O2 Academy Birmingham, including venue details and further event listings, visit www.academymusicgroup.com/o2academybirmingham

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Blame It On Bianca Del Rio @ Symphony Hall 30.07.18

BPREVIEW: Blame It On Bianca Del Rio @ Symphony Hall 30.07.18

Words by Ashleigh Goodwin

Following her sell out Not Today Satan tour in 2016/7 , Bianca Del Rio is back at Birmingham’s Symphony Hall with her Blame It On Bianca stand-up comedy show on Monday 30th July.

The evening’s entertainment starts in the Symphony Hall Foyer & Café Bar from 6pm with a live performance from Soprano Alexandra Bork and pianist Nick Bonadies, followed by a ‘pre-show party’ with DJ Lady Miss Ikea at 7pm. The main Blame It On Bianca show is scheduled to start at 8.30pm.

The event is strictly 16+ and is currently sold out, with no further tickets planned for release at the time of writing. For direct show information, including venue details and online ticket sales, click here.

Bianca Del Rio is primarily known as the winner of RuPaul’s Drag Race Season 6, with her outspoken nature, caustic comedy, and razor-sharp wit quickly making her a firm fan favorite. Del Rio was further voted as the viewers’ favorite winner from Drag Race Seasons 1-6 in a poll conducted by Logo TV, the then broadcaster of the RuPaul show.

Bianca Del Rio solidified her competency and professionalism as a performer through iconic RuPaul challenges such as ‘The Snatch Game’ and the ‘Queens of Comedy’, with the show’s titular host saying of her stand up routine in the latter that not only did she “kill it,” she “murdered it”. This should give you a hint of the possible hilarity/havoc on its way to the Symphony Hall stage.

To open the night, FLUID Festival are presenting free pre-show entertainment ‘as part of Symphony Hall’s foyer events programme’ before the Blame It On Bianca Del Rio show. Soprano Alexandra Bork and pianist Nick Bonadies will be performing from 6pm, whose collaboration ‘focuses on opera’s heart-shatteringly high-diva moments to cabaret classics… and smashes down walls between classical concert halls and queer performance spaces. ’

Additionally, ‘international dance music DJ’ Lady Miss Ikea will be appearing from 7pm, playing a mixture of ‘the most glamorous deep, house, disco and wildest pop’ and getting the audience ready for the “clown in a gown” Del Rio.

And whilst self-proclaimed, “clown in a gown” only touches the surface of Bianca Del Rio, with costume designing, three stand-up comedy tours, numerous theatre performances, and film roles all under her belt. Del Rio was also the ‘first contestant in the shows’ history’ of the phenomenally popular RuPaul’s Drag Race ‘to make it through the entire competition without every placing in the bottom three for a challenge’ – with Del Rio’s ‘go hard or go home’ ethos also taking her recent Blame It On tour across Australia, Asia, South America, North America and mainland Europe before landing in the UK.

Not a bad list of accolades, let’s just hope she’s got some energy left. For as the queen of insult comedy has said of Monday’s event: “I hope you’re ready for some filthy, nasty, hateful humor because I’m coming to Birmingham with a brand-new comedy show”. Symphony Hall front row, you have been warned.

Bianca Del Rio brings her Blame It On stand up show to the Symphony Hall on Monday 30th July 2018. There will be pre-show entertainment from soprano Alexandra Bork and pianist Nick Bonadies, as well as a set from DJ Lady Miss Ikea in the Symphony Hall Foyer & Café Bar. For direct show information, including venue details and online ticket sales, visit www.thsh.co.uk/event/blame-it-on-bianca-del-rio

For more on Bianca Del Rio, visit www.thebiancadelrio.com 

For more from the Town & Symphony Halls, including venue details and further event listings, visit www.thsh.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.