BPREVIEW: Rews + MeMe Detroit, Thousand Thoughts @ The Flapper 17.11.18

BPREVIEW: Rews + MeMe Detroit, Thousand Thoughts @ The Flapper 17.11.18Words by Ed King

On Saturday 17th November, the mighty REWS return to Birmingham – rounding off a five date UK tour at The Flapper in Birmingham.

Support at The Flapper comes from MeMe Detroit – Birmingham’s ‘sleazy rock’ grunge tinged indie punkster, who is out on the road promoting her new Life in the Now EP. Whilst joining REWS on all of their UK tour dates are Thousand Thoughts – Enfield’s fresh faced but ferocious nu metal/alt rockers who are currently promoting their debut single, ‘This One’s for You’.

Doors open at 7:00pm, with tickets priced at £10 (plus booking fees) – as presented by Metropolis Music, arranged by Midnight Mango, and in association with Birmingham Review. For gig info and online ticket sales direct from REWS click here, or visit the Facebook event page here.

It’s been quite a couple of years for REWS – the ‘rock powerhouse’ two piece who have been grafting and gaining fans up and down the country, belting out some of the best live shows on the circuit and backing up every on stage inch with their stellar debut album, Pyro.

Wrapping their debut single, ‘Miss You in the Dark’, around a blue touch paper performance on Glastonbury’s John Peel stage last year, REWS quickly caught the attention of most music based national broadcasters – with Mark Radcliffe citing them as one of his highlights from the 2017 festival.

REWS‘ second single, ‘Shine’, grabbed the airwaves through Kerrang!, Planet Rock, Radio X, Today FM, 2FM, and Radio 1. Whilst the band’s October’s follow up release, ‘Your Tears’, got featured as the BBC Music Introducing Track of the Week – getting public plaudits from presenters including Huw Stephens, Alice Levine, Clara Amfo, Scott Mills, Dev, Adele and Greg James.

Coinciding with their autumn tour, which REWS will finish up and finale in Birmingham, one of the band’s strongest onstage tracks has got a studio spit and polish – ‘Can You Feel It?’ was released on 21st September, mixed and mastered by Romesh Dodangoda (Bring Me The Horizon, Don Broco, Lower Than Atlantis).

“’Can You Feel it?’ is a song that takes a positive spin on hurt feelings,” explains Shauna Tohill from REWS. “It encourages the listener to ‘let it out’, ‘dance’, ’sing’ and not be afraid to explore how they feel in order to better themselves & learn to love again. It was inspired and written during a period of heartbreak and describes the stages of grief that we endure.”

But not stopping on these shores, REWS recently supported Halestorm on their UK tour – seeing them showcase in front of thousands of new fans across the country, in what we suspect is a precursor to a trip across the Atlantic. And North America is going to go bat sh*t for REWS, if you’ll excuse the crudity. But it’s a game changer and no mistake. REWS have also just come back from a showcase gig at the Music China event in Shanghai, as organised by their label Marshall Records, but we’re going to put out some Can-You-Feelers about this find out a little more… tbc.

Joining REWS at The Flapper will be MeMe Detroit, who is touring the UK with her new Life in the Now EP – set for release on 23rd November. One of the brighter shining stars from the city’s music scene (and beyond, to be fair) MeMe Detroit is self described as ‘sitting somewhere between sleazy grunge and power indie… oozing sultry guitar driven hooks with a head turning vocal’ – a summation we liked so much, we stole it.

Gritty and gutsy, covered in war paint, melody, and the occasional acerbic observation, MeMe Detroit released her debut album, Live to Love You’ll Love to Live, in 2016 – a ten track declaration that manages to kick you in the teeth, guts, and up the derrière all at the same time. Awesome.

Follow up releases came in various shapes, sizes, and sharp undertones – with one of our favourites being the uber pertinent ‘Soc Med Junkies’, which pokes a well deserving stick in the rib cages of those silent conversationalists who are content to share only cyber space together. To check out the video to ‘Soc Med Junkies’, click here.

And appearing with REWS across all of their UK tour dates this autumn are label mates Thousand Thoughts, who signed to Marshall Records in 2017. Currently promoting their debut single, ‘This One’s for You’, the Enfield based four piece ‘take on elements of nu-metal, pop-punk and alt-rock, interwoven with themes of tragedy and loss’ – with messages of hope and inspiration thrown in for good measure.

Committing to a pretty rigorous touring schedule, the band have been playing up and down the UK since January 2017 – originally titled Elsewhere, but changing their moniker to Thousand Thoughts once the leaves of 2018 started to fall. To check out Thousand Thoughts’ debut single, ‘This One’s for You’ – released in June 2018, click here.

Meanwhile back at REWS HQ, we just have one question for you…

‘Can You Feel It?’ – REWS

REWS perform at The Flapper on Saturday 17th November, with support from MeMe Detroit and Thousand Thoughts. For direct event information and online ticket sales, visit www.rewsmusic.com/events/2018-11-17-rews-the-flapper 

For more on REWS, visit www.rewsmusic.com

For more on MeMe Detroit, visit www.memedetroit.com

For more on Thousand Thoughts, visit www.facebook.com/TThoughtsMusic

For from The Flapper, including venue details and further event listings, visit www.theflapper.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Editors @ O2 Academy 19.10.18

BPREVIEW: Editors @ O2 Academy 19.10.18

Words by Ed King

On Friday 19th October, Editors play the O2 Academy Birmingham – on the road promoting their sixth studio album, Violence.

Doors open at the O2 Academy Birmingham from 7pm, with tickets priced at £25.00 (plus booking fees) – as presented by SJM Concerts/Gigs and Tours and Goldenvoice. For direct gig information, including venue details and online ticket sales, click here.

N.B. At the time of writing, Editors’ gig at the O2 Academy Birmingham has sold out – for details of the band’s full touring schedule, across the UK and beyond, click here.

Likened to most bands that ever donned a frown and a trench coat, it can be easy to pigeon hole Editors. Cue comparison to Interpol… But go back over their now six album strong portfolio and you’ll find an intelligent evolution of sounds, from a band who arguably defined their own genre rather than being pulled down by the indie rock undercurrent or slipping into store bought comparisons. NME tried once, with a description I won’t bother to repeat, but with Editors the old adage is the best – the music speaks for itself.

Returning to the venue they opened back in September 2009 (queue jumping The Twang and Ocean Colour Scene to christen the O2 Academy Birmingham’s new Bristol Street main stage) Editors are on the road promoting Violence – the nine track hybrid of dark rock and electronica, with the thumbprints of razor edged pop that the band do so well. Cue comparison to Depeche Mode…

Released in March 2018 through PIAS Records, Violence has Editors sharing the production credit with Leo Abrahams – the guitarist and producer who has played with Imogen Heap, Pulp and Ed Harcourt, and produced artists including Carl Barât, Frightened Rabbit and Paulo Nuiti.

The album’s lead single, ‘Magazine’, was released to favourable reviews in January – a track that had been bouncing around Editors’ songbook since The Weight of Your Love, but has only found it’s home with the new ensemble. Further singles ‘Hallelujah (So Low)’ and ‘Darkness at the Door’ were released in February and April respectively, with the album’s latest single and opening track, ‘Cold’, released in October.

The O2 Academy Birmingham ‘homecoming’ gig sold out back in August, not a huge surprise. But there are more UK dates across October if you have the desire and designated driver free to get there – and if you live in mainland Europe, Editors will no doubt be on a festival bill somewhere near you soon.

Otherwise settle down in your plush Chesterfield armchair, look meaningful through a sideways glance, pick your favourite vacuous celebrity or BS infused politician, and…

‘Magazine’ – Editors

Editors play the O2 Academy Birmingham on Friday 19th October – as presented by SJM Concerts/Gigs and Tours and Goldenvoice. For direct gig information, including venue details and links to online ticket sales, click here.

For more on Editors, including full tours details, visit www.editors-official.com 

For more from SJM Concerts/Gigs and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more from Goldenvoice, including further event listings and online ticket sales, visit www.goldenvoice.com

For more from the O2 Academy Birmingham, including venue details and further event listings, visit www.academymusicgroup.com/o2academybirmingham

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Dragpunk presents Drag Me to Hell! @ The Nightingale Club 12.10.18

BPREVIEW: Dragpunk presents Drag Me to Hell! @ The Nightingale Club 12.10.18Words by Ed King

On Friday 12th October, the Dragpunk collective are back for another show – returning to The Nightingale with Drag Me to Hell!

Appearing at Drag Me to Hell! will be the whole Dragpunk collective Amber Cadaverous, Paul Aleksandr, Tacky Alex, with Lilith as the evening’s hostess – joined by Cosmic Crum, Tanja McKenzie, and Eva Serration.

There will also be a special guest appearance from Ruby Wednesday, who is flying The Familyyy Fierce nest for a night to sit glacier cherry style on the evening’s proceedings in Birmingham.

Doors open at The Nightingale Club from 8:30pm, with Drag Me to Hell! starting from 9:30pm prompt – running until the 16+ curfew ends at 11pm. Tickets are priced at a super reasonable £3 (adv) and £5 (otd), with entry to the official after party included if you’re old enough to go. Or brave enough, this is a ‘Halloween Theatre Show’ after all…

For direct links to online ticket sales for Drag Me to Hell! visit Eventbrite by clicking here. Or for more information on the show, visit the Facebook Event page by clicking here.

Dragpunk Presents’ first show back in April, Candyland, was a showcase of the collective’s great, good and covered in condiments – ‘showcasing local and national UK drag of all genders, sexualities and abilities that you’ll adore!’ Check out Emily Doyle’s illustrated Birmingham Review of Candyland by clicking here.

But there’s more to Dragpunk that shock, horror, and baking ingredients abuse – the local ‘collective of creative queer-minded people’ are strong advocates for artistry and inclusivity, promoting shows that create ‘a safe space for self-expression’ for every friendly face that attends.

Dragpunk’s latest offering, Drag Me to Hell! is also a shimmy/shake into more theatrical territory, with the set piece showcase conveyor belt making way for a narrative led production.

We want to give a solid Halloween show,” explains Dragpunk’s Paul Aleksandr, “full of atmosphere with some very cool and well thought out performances, from horror to some creepy tongue-in-cheek comedy. It’s the start of something different for drag Birmingham drag shows.”

Sounds like a night out to me, one the show’s promo rhetoric says ‘will take you back to the times of Victorian darkness, bringing drag performances and theatre together, where spirits, demons, and some good ol’ camp horror will bring the night alive! Quite literally!’

Ah, you’ve got to love Halloween for the marriage of performance and art, and Dragpunk have never been afraid of a bit of needle and thread. If you’ve ever seen Aleksandr’s ‘Hungry Caterpillar’ costume…

Dragpunk Presents: Drag Me to Hell! at The Nightingale Club on Friday 12th October. For direct links to online ticket sales for Drag Me to Hell!, visit Eventbrite by clicking here. Or for more information on the show, visit the Facebook Event page by clicking here.

For more on the Dragpunk Collective, visit www.facebook.com/dragpunkcollective

For more from The Nightingale Club, including full event listings and online ticket sales, visit www.nightingaleclub.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: NOT NORMAL – NOT OK fundraising drinks reception & live music showcase from The Taboo Club + Liquid Cheeks, Lilac Noise @ The Victoria 29.09.18

BPREVIEW: NOT NORMAL – NOT OK fundraising drinks reception & live music showcase from The Taboo Club + Liquid Cheeks, Lilac Noise @ The Victoria 29.09.18

Words by Ed King

**Final tickets remaining – to book your ticket for The Taboo Club live music showcase and NOT NORMAL – NOT OK drinks reception, click here for the special See Tickets link**

On Saturday 29th September, The Taboo Club will be headlining a live music showcase with Birmingham Review at The Victoria on John Bright St – with support from Liquid Cheeks and Lilac Noise.

As part of the fundraising and awareness around the NOT NORMAL – NOT OK campaign, ‘to combat the culture of sexual assault and aggression – from dance floor to dressing room’, there will be a special drinks reception held at The Victoria before the gig.

Doors to the NOT NORMAL – NOT OK drinks reception open at 7/7:15pm, with tickets priced at £7 including entry to the gig afterwards. At the time of writing there are only a handful of tickets left available, but you can still buy online through a special See Tickets link by clicking here.

If you have already purchased a ticket to the gig and would like entry into the drinks reception, please contact ed@birminghamreview.net – or the band that you bought the ticket though.

The Taboo Club are a newly formed ensemble of longstanding local musicians, delivering a ‘heartbreakingly cathartic’ amalgamation of genres and influences. Led by rising waves of rhythm guitar, over an identifiable bass backbone, their sounds also embraces strong elements of saxophone and keys – all tinged with the sultry, low lit vibes of a ‘bourbon lit Harlem dive bar’. Read Sam Lambeth’s interview with The Taboo Club here.

On the bill as local support will be Liquid Cheeks, playing their first live set as the newly formed electro/garage two piece. Liquid Cheeks are made up of Ben Ollis Gibbs and Greg Christopher, from the erstwhile Byron Hare, and will be showcasing their current singles ‘He’s a Flower’ and ‘Serendipity’. Read Emily Doyle’s interview with Liquid Cheeks here.

Also appearing will be Lilac Noise, Stoke’s electro melodic four piece who have been building a maelstrom of momentum since May this year – coming to Birmingham for their first show in the city, and promoting their soon to be released debut single ‘Paradox’.

NOT NORMAL - NOT OK gig stickers / Ed KingNOT NORMAL – NOT OK is a campaign to challenge sexual assault in live music venues that was set up in June 2018, by a collective of people who work within the local music scene. Many venues and gig goers across the city have already been supporting the campaign, wearing the NOT NORMAL – NOT OK stickers when they promote or attend live music events.

Later this year, NOT NORMAL – NOT OK will be increasing its outreach – working with regional support agencies, West Midlands Police, and venue operators across Birmingham to establish a stronger presence in live music venues – as well as providing further and clear avenues of support for the gig going public, and helping the venues deliver their existing duties of care.

All money raised from the NOT NORMAL – NOT OK drinks reception will be put directly back into the ongoing campaign. For more information on NOT NORMAL – NOT OK, visit www.notnormalnotok.com

Doors open upstairs at The Victoria for the NOT NORMAL – NOT OK drinks reception from 7/15pm, with entrance to The Taboo Club live music showcase from 8pm – on Saturday 29th September.

Tickets are priced at £7 (adv) and £10 (otd), as presented by Birmingham Review – to buy online visit the special See Tickets link by clicking here.

For more information on The Taboo Club live music showcase, check out the Facebook Event Page by clicking here.

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 For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK 

For more on Liquid Cheeks, visit www.facebook.com/liquidcheeks 

For more on Lilac Noise, visit www.facebook.com/lilacnoiseuk 

For more on The Victoria, including venue details and further event listings, visit www.thevictoriabirmingham.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Rews @ The Flapper 17.11.18

BPREVIEW: Rews @ The Flapper 17.11.18Words by Ed King

On Saturday 17th November, Rews will be performing at The Flapper – rounding off their selected UK tour at Birmingham’s iconic live music venue.

Doors open at 7pm, with tickets priced at £10 (+bf) – available from Friday 31st August. For direct event information, including full tour details and links to online ticket sales, click here.

There are certain press release that raise a smile at Birmingham Review. True, lots of them have the words ‘free’ and ‘bar’ in them, but the one that landed on our desk a few days ago was even better than bourbon for gratis. If such a thing were possible (it is, just).

Rews are coming back to Birmingham, playing at The Flapper on Saturday 17th November. And with only 38 days after this gig until The Big Day we feel the expression ‘Christmas come early’ is entirely justified.

If you don’t know who Rews are… a sharp intake of breath… they’re a high octane ‘rock powerhouse’ that have drawn comparisons to Royal Blood (but with better melodies). Made up of Shanua Tohill (guitar vocals) and Collette Williams (percussion, vocals) Rews were the first UK signing on Marshall Records – coming out punching from the legendary rock brand’s corner with their debut album, Pyro, in November 2017.

A string of singles, tours, and festival appearances followed Rews’ extremely confident debut, gathering some well deserved attention from the rock focused media and then pretty much every pundit with a brain at the BBC (including Mark Radcliffe, who cited Rews as one of his highlights from Glastonbury 2017). To read our Birmingham Review of Pyro, click here.

One eight planet dance later and Rews are back in Birmingham, rounding off a five date UK tour at The Flapper – the venue where Birmingham Review first saw them back in February ’17. And it is live that you really want to experience this band, with a ferocious energy and endearing candour flooding off stage every time we’ve shared a room them – click here to read our Birmingham Review of Rews at The Flapper, at the Actress & Bishop, and at the Hare & Hounds.

But things got better and better as we scrolled down the aforementioned press release, because there’s a new single on the table too – ‘Can You Feel It?’ will be released by Rews on 21st September, through Marshall Records. An absolute blinder, this is has been one of our favourite tracks from Rews since we first heard it, with the soon to be set free single getting added production value from Romesh Dodangoda (Bring Me the Horizon, Don Broco, Lower Than Atlantis).

We’ve had a sneak peak of the new ‘Can You Feel It?’ too and it’s PROPER AWESOME. Seriously, just wait – as soon as we can share something we will. But in the interim you can keep yourself happy/distracted with the last two singles to come from Rews – check out ‘Your Tears’ and ‘Shine’ below.

Here’s a message from Shauna Tohill about the soon to be released ‘Can You Feel It?’ too:

“Can You Feel it? is a song that takes a positive spin on hurt feelings. It encourages the listener to ‘let it out’, ‘dance’, ’sing’ and not be afraid to explore how they feel in order to better themselves & learn to love again.  It was inspired and written during a period of heartbreak and describes the stages of grief that we endure.”  

‘Your Tears’ – Rews

‘Shine’ – Rews

Rews come to The Flapper in Birmingham on Saturday 17th November – as presented by Metropolis Music/Live Nation, in association with Birmingham Review. For direct gig information, including full tour details and links to online ticket sales, click here. 

‘Can You Feel it?’ will be released by Rews on 21st September through Marshall Records. For more on Rews, visit www.rewsmusic.com

For more from Metropolis Music, visit www.metropolismusic.com

For more on The Flapper, including venue details and further event listings, visit www.theflapper.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.