BPREVIEW: The Black Angels @ O2 Institute 26.09.17

The Black Angels @ O2 Institute 26.09.17

Words by Ed King

On Tuesday 26th September, The Black Angels land in Birmingham at the 02 Institute – performing live, with support from A Place to Bury Strangers + Mass Datura. 

Doors open at 7pm with tickets priced at £19.50, as presented by Kilimanjaro Live and This Is Tmrw. For direct gig info, including venue details and online ticket sales, click here.

Out on the road with their fifth studio album, Death Song, The Black Angels are in Birmingham as part of only a handful of UK dates on their Death March Tour. Sandwiched in-between a gig in Glasgow and another in Bristol, the O2 Institute in Birmingham is the second date the Texan psych-rockers will be playing in Blighty. Although The Black Angels did play at the Liverpool International Festival of Psychedelia 2017, but who’s going to prove any of that actually happened. Or maybe it never stopped…

Four years since their last LP, Death Song came out on Partisan Records in April this year, with an extensive North American tour introducing the album stateside. A clear hat tip to the Velvet Underground – as in ‘The Black Angel’s Death Song’, from that record they made with that blonde lass – the new album from The Black Angels has been described by Phil Mongredien in The Guardian as a ‘menacing return to form’, further stating the 11 track LP harks back to ‘the threatening drones that made their first two so powerful’.

With a line up that makes the bill sound like a blueprint for Jonestown II, The Black Angels are supported by New York noise-rockers, A Place to Bury Strangers – alongside London’s self described ‘sunshine doom’ four piece, Mass Datura. So a nice quiet night in then… pass the shrooms and absinthe, Franz.

Having munched enough blotter acid to stop a heard of migrating springbok, Google it, I’m not sure another dark spiral is what this piece of psychedelic driftwood needs on a Tuesday.

But with only three dates in the UK, if you want a sneaky quarter of The Black Angels then you’d better get your game face on. Bit of a coup that they’re coming to Birmingham. In the meantime here’s a tiny taste of their new album:

‘Currency’ – The Black Angels

The Black Angels comes to the O2 Institute on 26th September, with support from A Place to Bury Strangers + Mass Datura – as presented by Kilimanjaro Live and This Is Tmrw. For direct gig info, including venue details and online ticket sales, click here. 

For more on The Black Angels, visit www.theblackangels.com 

For more on A Place to Bury Strangers, visit www.aplacetoburystrangers.com

For more on Mass Datura, visit www.soundcloud.com/mass-datura 

For more from the O2 Institute, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

For more from Kilimanjaro Live, visit www.kilimanjarolive.co.uk

For more from This Is Tmrw, visit www.thisistmrw.co.uk 

BPREVIEW: Cult Figure: Kenneth Williams @ The Old Joint Stock Theatre, 26-27.09.17

BPREVIEW: Cult Figure: Kenneth Williams @ The Old Joint Stock Theatre, 26-27.09.17

Words by Helen Knott

Running for two nights at The Old Joint Stock Theatre, Cult Figure: Kenneth Williams comes to Birmingham  from 26th to 27th September. 

Doors open at 7:30pm on both nights, with tickets priced at £12. For direct event info, including venue details and online ticket sales, click here.

If someone mentions Kenneth Williams your first thoughts are most likely: Carry On films, double entendres, camp mannerisms. But that is only one side of Williams. He was also subversive, complex, and for his time, at least, cutting-edge.

Take Round The Horne, a popular BBC radio comedy. It attracted weekly audiences of 15 million listeners in the sixties and Williams was part of its regular line-up. Back then being gay was still illegal, so much of the show’s innuendo involved Williams’ use of Polari – the slang that gay men used to communicate. The BBC censors seemingly didn’t understand it and consequently quite outrageous stuff, even by today’s standards, got broadcast into millions of people’s living rooms.

Though popular and fondly regarded during his lifetime, Williams’ posthumously published diaries suggest that off air he was troubled.BPREVIEW: Cult Figure: Kenneth Williams @ The Old Joint Stock Theatre, 26-27.09.17 According to his memoirs, Williams suffered from depression and found it hard to come to terms with his homosexuality. He eventually died in 1988 of a drug overdose.

So, Williams lived a rich and varied life, leaving plenty to explore in Cult Figure: Kenneth Williams. Colin Elmer, who has appeared as Williams before in a production celebrating the 50th anniversary of Round the Horne, wrote and performs the one man show – once again with Tim Astley directing.

We are told Cult Figure: Kenneth Williams tells Williams’ story in his own words, and judging by some of his diary extracts this is a good shout: ‘Had Sid, Hattie, Joan, Barbara, Bernard and Charlie around for dinner. They were all perfectly awful except for Barbara whom I love more than anything else in the world, and even she is a stupid cunt’.

Colin Elmer has been a fan of Williams since he was a boy, so I’m expecting Cult Figure: Kenneth Williams to be more of a thoughtful and nuanced representation of an enigmatic entertainer, rather than a catchphrase-laden caricature. But it will be interesting to see if Elmer manages to bring anything new to our appreciation of Williams, or if it will simply be a nostalgic look back at one of British comedy’s greats.

Watch an interview with Colin Elmer where he discusses Kenneth Williams, as part of the promotion for the previous 50th anniversary of Round the Horne production:

For more on Cult Figure: Kenneth Williams, visit www.oldjointstock.co.uk/whats-on/cult-figure

For more from The Old Joint Stock Theatre, including full event listings and online ticket sales, visit www.oldjointstock.co.uk

BPREVIEW: Mayday Parade – A Lesson in Romantics 10th Anniversary Tour @ O2 Institute 23.09.17

BPREVIEW: Mayday Parade - A Lesson in Romantics 10th Anniversary Tour @ O2 Institute 23.09.17

Words by Eleanor Sutcliffe

On Saturday the 23rd of September, pop punk stalwarts Mayday Parade will be playing the O2 Institute as part of their A Lesson in Romantics 10th Anniversary Tour – with support from With Confidence + All Get Out.

Doors open at 7pm, with tickets priced at £21 (+bf) – as presented by SJM Concerts/Gigs and Tours. For direct gig info, including venue details and online ticket sales, click here.

Released in July 2007, as Mayday Parade‘s debut studio album, A Lesson in Romantics has become somewhat of a cult classic throughout the years. Reaching No 8 on the Billboard Heatseekers Albums chart, and No 42 on Rock Sound’s ‘51 Most Pop Punk Albums of All Time’, Mayday Parade sold over BPREVIEW: Mayday Parade - A Lesson in Romantics 10th Anniversary Tour @ O2 Institute 23.09.17200,000 copies of A Lesson in Romantics – earning themselves a place on the 2007 edition of the Vans Warped Tour. Tracks such as ‘Black Cat’, ‘Jamie All Over’ and ‘When I Get Home, You’re So Dead’ have become iconic singles for the band’s fanbase.

Since their debut Mayday Parade have released a further four albums, including Monsters in the Closet (2013) and Black Lines (2015) – both of which received positive reviews from critics. However, A Lesson in Romantics still remains the band’s reigning album, and a celebratory tour a decade later will come as little surprise to many fans.

Mayday Parade are kicking off their A Lesson in Romantics 10th Anniversary Tourr in Nottingham, followed by numerous dates across the UK including Leeds, Glasgow, Birmingham and London before heading out into Europe for the remaining dates.

Support at the O2 Institute comes from With Confidence, an Australian pop punk band who made waves in the UK following their Better Weather tour and appearance at Slam Dunk Festival, alongside All Get Out – fronted by singer songwriter, Nathan Hussey.

‘Jamie All Over’ – Mayday Parade

For more on Mayday Parade, visit www.maydayparade.com

For more on With Confidence, visit www.withconfidenceband.com

For more from All Get Out, visit www.allgetoutmusic.com

For more from O2 Institute, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

BPREVIEW: Beyond The Tracks – after parties, official/unofficial @ Various 15-16.09.17

Beyond The Tracks @ Eastside Park 15-17.09.17

Words by Damien Russell, Paul Gallear & Ed King

For the happy revellers of the Beyond The Tracks festival who are seeking more to finish off the night (be it Friday or Saturday), there are a number of opportunities to party harder and get more ‘bang’ for a buck (or ten). 

There are the official after parties from the Beyond The Tracks team, alongside a few unofficial yet appealing enough alternatives to cater for the weekend long festival crowd. Read our BPREVIEWs below:

Oscillate Sound System @ Centrala 15.09.17

Inviting us to ‘regenerate’ after Beyond The Tracks’ space cadet Friday night, the Oscillate Sound System take over Centrala for an unofficial after party on 15th September – the fledgling festival’s opening day.

Doors open at 11pm and close at 4pm, with tickets priced at £5. Not sure precisely who’s playing but you can bet there’ll be a DJ set from Messer Higher or Intelligence, you know from the Agency. And as far as my third eye can see it’s a pay on the door affair. Ah, life before Skiddle…

So, Oscillate..? By this point you’re either as unfazed as you were at word one, or you’re skipping down a serotonin sapped memory lane trying not to think of that song by Biosphere. La, la, la, the 90’s were a simple clubland love in with no scars… I don’t want to know what dream you had last night.

But if you need a helpful reminder (either way) Oscillate brought Orbital to Birmingham. So there’s that. And through their bi-weekly club nights at Bonds (as well as a few jaunts to the Dance Factory, Moseley Dance Club, some big-house-in-a-field-somewhere-in-I-think-maybe-Wales, and a disused gas container in Amsterdam)Beyond The Tracks after party (unofficial) - Oscillate Sound System @ Centrala 15.09.17 the Oscillate Sound System introduced a further litany of ambient/techno to the second city’s clubbers: Autechre, The Orb, Banco di Gia, Children of the Bong, Sun Electric, The Drum Club, APL, APL, did I mention APL..? I think they even booked Richard James a couple of times, not that that guarantees anything but God loves a trier.

It’s fair to say (and it’s been said by more than I) that Oscillate helped shape the dance music landscape of Birmingham in the 90’s, and left its left-of-centre fingerprints on the city’s club scene for some time to follow. You could argue that if they hadn’t someone else would have, but Scylla Magda and Bobby Bird were the ones that did – earning a dance music debt of gratitude that stands up over twenty years later.

Or to pinch a quote from The Observer in 1994: ‘To those in the know, including the 650 clubbers who frequent the club in Birmingham every other Friday night, Oscillate is the club of the moment, making waves far beyond the Midlands, and attracting clubbers from as far afield as London, Manchester and Edinburgh.’

Plus half of the head honchos at Oscillate are half of the head honchos in Higher Intelligence Agency (Bobby Bird) so all you need is Cheshire Cat and Sister Bliss to turn up and you’ve got most of Beyond The Tracks’ Friday night programme under one roof.

More a ‘second wind’ as opposed to ‘after’ party then… everyone back to Centrala on Friday 15th September? Whatever the moniker it saves Shaun some tidying up.

For more on the Oscillate Sound System after party (unofficial) at Centrala on Friday 15th September, click here.

___________

Way Beyond @ Suki10c 15.09.17

To continue the Friday night party directly after the festival’s opening day, Suki10c are hosting an unofficial first night continuance with ‘Way Beyond’, starting at 10pm and going right through to 4am. The event costs £6.00 including BF (booking fee, not boyfriend) on the mighty Skiddle or £8.00 on the door – showcasing sets from Earth is Flat, Bid, Skint Disco and Doktor Jekyll amongst others as yet unnamed.

Beyond The Tracks after party (unofficial) - Way Beyond @ Suki10c 15.09.17Earth is Flat (or EiF) are two producers whose aim is ‘to make a non-generic style of music; using field recordings, traditional instruments and collaborating with people who share similar values’. They have shared the stage with artists such as Plaid, Kelli Ali, Luke Vibert, Coppe and Fungstorung and have performed in venues such as the Hare & Hounds, mac, and The Rainbow in Birmingham, as well as working down in the Big Smoke.

Bid is a DJ who started out in 2012, one who lucky revellers doing both ‘the main event’ and this after party will already have seen performing as part of the Leftfield Leftism 22 Tour. His debut release is due this year on the Download Generation label, showcasing his influential choice in the twisting and manipulation of breaks, beats and sounds.

Skint Disco is providing a DJ set in the form of Joe Reid – 28 year old producer from the Midlands, now residing in London. Skint Disco/Joe Reid has received props from major players such as Jam PRD, Wevaman, Hatcha, Funtcase, Kromestar,Seven, Bukez Finezt, Beezy, Enigma Dubz and Dubloadz all regularly throwing down his tracks. DJ slots all over the UK and gigs in Prague, Paris and Amsterdam have resulted in a mini-tour stateside with bookings in Seattle and Denver later in 2017.

The evening is supported by Doktah Jekyll, the resident DJ for Digbeth Dining Club and more, lining up a diverse sounding lineup of electronic music to see you through to the wee hours.

Even if some of the lineup are people whose stage names defy Google or any other form of research, this sounds like one of those events where those in the know will know to go, and those not in the know probably should be.

For more on the Way Beyond after party (unofficial) at Suki10c on Friday 15th September, click here.

___________

Official Beyond The Tracks Friday night after party @ The Rainbow 15.09.17 

Friday night’s official, ‘Moseley Folk approved’ after party is held at The Rainbow Venues’ Black Box. It will be starting at 11pm and the ‘you don’t have to go home but you can’t stay here’ is at 4am.

This official after party is brought to us by Procreation – the erstwhile progressive/tech house club night started by Beyond The Tracks promoter, Carl Phillips, back ‘in the day’ – in association with Ransom Note. The event will see DJ sets from A Guy Called Gerald, Bawrut and Timothy ‘Heretic’ Clerkin, in addition to Phil Hartnoll (one half of the Beyond The Tracks Friday night main stage headliners, Orbital).

Beyond The Tracks after party (official) @ The Rainbow Venues - Black Box 15.09.17Even if you’re not into your dance music, the name Orbital is still bound to ring a faint bell. Okay, that may be because they were named after the London Orbital (or M25 as we would more typically know it) but Orbital (aka brothers Paul and Phil Hartnoll) were renowned for their live improvisation, something of a rarity in the genre. But with five UK Silver records, one UK Gold record, four UK top 20 singles and even making it into the top 10 US Electronic Album Chart twice, it would be safe to say that improvisation or not Orbital’s music has appeal.

Perhaps the slightly less prolific of the brothers, Phil Hartnoll, has nevertheless taken his DJ sets to New Zealand, the US and around Europe. And that’s just this year. Now stepping straight from the Beyond The Tracks’ main stage, Phil Hartnoll will be hitting the decks at the Black Box in a rare UK solo show.

Joining Phil Hartnoll on the bill will be A Guy Called Gerald – a pioneer of the late 80’s UK Dance music explosion, whose website hails as ‘an iconic name in dance music’. But A Guy Called Gerald arguably kick started Europe’s acid house frenzy releasing the first UK acid house record, the ’88 classic ‘Voodoo Ray’ – following this with the iconic ‘Pacific State’, and laying down the blueprint for early jungle/drum’n’bass. And while not reaching the commercial heights of some of his contemporaries, the consistency and longevity of his releases demonstrate an acclaim that has endured for 30 years now.

Kicking it all off in 1987, A Guy Called Gerald had his ’own bedroom studio and was recording 90 minute tapes – probably one a week, so the equivalent of doing an album a week, everything from proto-acid sounds to experimental ambient fields’. And while his releases have slowed down somewhat over that last seven years, I hope that A Guy Called Gerald will bring the same energy of old to this 2017 live set. His 40 live show list for the year would imply that he will.

New kid on the block, the Madrid-based Italian Bawrut, will be preceding A Guy Called Gerald on the lineup – bringing his ‘wonderfully balanced line between classics and brand new tracks’. Bawrut’s 2016 release through Ransom Note has been hailed by Mixmag, DJ Mag, Test Pressing, and Data Transmission ‘as one of the freshest releases of 2016’.

Lastly, not least-ly, on is Timothy ‘Heretic’ Clerkin – one half of the amusingly named Eskimo Twins, who have been on the scene since 2009 releasing on Tusk Wax, My Favorite Robot & Relish, Throne of Blood and Ransom Note Records. Eskimo Twins formed around an appreciation of techno, classic house, indie, acid, and a lingering teenage love of metal – so those who know them will no doubt be wondering what Clerkin’s solo set may bring. One one way to find out; you know the drill

For more on the official Beyond The Tracks Friday night after party @ The Rainbow- Black Box, click here.

___________ 

Club L’Amour reunion @ Suki10c 16.09.17 

The once haven for alternative shenanigans, described by Sam Lambeth as ‘an indie Byker Grove’, Club L’Amour comes back to the venue of its birth for a final, final hurrah on 16th SeptemberBeyond The Tracks after party (unofficial) - Club L'Amour @ Suki10c 16.09.17 – giving the Saturday night noise monsters at Beyond The Tracks a comforting place to play until dawn. Well, 5am. Which is dawn enough for us.

There will be live sets from Riscas and Sugarthief, underpinned by DJ sets from the great, good, and garrulous who adorned the once Digbeth based indie night out. On the line up so far are MP3 jugglers: Kez Handley, Ben Clapton, Jack Parker, Arran Bick, Harley Cassiddy, Sam Lambeth, Tim Arstall, Tommy Greaves – with the ever inspiring ‘secret guests’ to kick it all off. TBC, I guess.

But following the fallout of a Saturday night festival line up that boasts Ocean Colour Scene, Maxïmo Park, The Coral, The Twang, Carl Barât and the Jackals, Jaws, Superfood this might be a more than appropriate place to greet the small hours.

Plus it’s a reunion, after Club L’Amour packed up its musical powder puff back in February this year. So what are you waiting for..? Oh yeah, there’s that festival thingy up the road to pop into beforehand… phew, and what a before party that’s going to be. 

For more on the Club L’Amour after party (unofficial) at Suki10c on Friday 15th September, click here.

___________

Official Beyond The Tracks – Saturday night after party @ O2 Institute 16.09.17

Beyond The Tracks after party (official) @ O2 Institute 16.09.17As if all this excitement on the Friday night wasn’t enough, there is another official after party on the Saturday night, post-festival, held at the O2 Institute in Digbeth – running from 11pm through to the wee hours of 3am. Mercifully a little earlier than the Friday night after parties, allowing us a little recovery before the final festival day.

Fresh from headlining Saturday night at Beyond The Tracks, Ocean Colour Scene’s Steve Cradock will take to the O2 Institute stage for a DJ set, alongside Paul Smith from Maxïmo Park. But kicking off the evening (morning…. depends when you get there) will be DJs Gav and Imran from Blast Off – a Wolverhampton institution which celebrated 20 years of clubbing in 2016 (despite ostensibly ending the indie club night in 2014, they have returned for numerous ‘one-off’ specials and Christmas/New Year shows. I suppose you can’t keep a good thing down).

Next up will be will be Dave Southam, a man made (in)famous as one of the DJs for Snobs, a well known Birmingham nightclub that promotes itself as offering ‘indie, rock’n’roll, alt pop and retro jams’.

It is clear then that the theme of this after party is the same as Saturday’s offering at the Beyond The Tracks festival itself: indie and lots of it. Kicking off at 11pm, festival goers will have plenty of time to cover the half-a-mile between Eastside Park and the O2 Institute when Beyond The Tracks finishes at 10:30. Tickets are £10 in advance, plus the usual booking fees.

For more on the official Beyond the Tracks Saturday night after party, click here.

_________________

Beyond The Tracks comes to Eastside Park in Birmingham City Centre, running 15th to 17th September. Tickets for this event are £54.45 for individual day tickets, £145 for a weekend pass. 

For more on Beyond The Tracks, including full festival details and online ticket sales, visit www.beyondthetracks.org

BPREVIEW: Portrait of the Artist: Käthe Kollwitz @ Ikon 13.9-26.11.17

Self portrait – looking left (1901) / Käthe Kollwitz © The Trustees of the British MuseumWords by  Lucy Mounfield

On Wednesday 13th September, Ikon unveil their new exhibition, Portrait of the Artist: Käthe Kollwitz, which will be on show until the 26th November. Organised by Ikon and the British Museum, this exhibition is drawn from a collection of forty works from the British Museum – complemented by a small number of loans from a private owner and The Barber Institute of Fine Arts collection. 

Käthe Kollwitz (1867–1945) was a Prussian artist whose drawing, prints and sculptural work depicted and reflected a world ravaged by poverty, class struggles and war. Kollwitz lived through a tumultuous period in Germany’s history – through the Empire of Kaiser Wilhelm II, post-First World War struggles and the Weimar Republic, the growth of the Nazi party and the outbreak of the Second World War.

Kollwitz’s body of work has divided opinion: conservative collectors admire the craftsmanship of her printmaking, whilst from a social political point of view her oeuvre encapsulates the anti-war stance and class consciousness of the German Expressionists in the inter-war years. Kollwitz’s two great graphic series, The Weaver’s Revolt (1897) and The Peasants War (1908), document social injustice suffered by working men and women.

Die Carmagnole (1901) / Käthe Kollwitz © The Trustees of the British MuseumConcurrently Käthe Kollwitz’ subject matter has been looked at through the lens of her as a female artist; Kollwitz did make considerable gains in the art world. She studied art courses at women only schools at a time when women were ostracized from academies. In 1919, she became the first woman to be elected to the Prussian Academy of Arts, later becoming the first female professor there.

Critical analysis of women artists has often been problematic. Many exhibitions and much art historical critique has previously centered around Käthe Kollwitz as a ‘woman and artist’, whose empathetic and compassionate art was directly related to her gender and role as mother. The theme of motherhood has been explored regarding the death of her son, Peter, in 1914 – during the First World War, citing this as an influence for her Woman with Dead Child (1903) print. This image epitomizes the animalistic quality of her work, the etched jagged lines mirror the sharp jolts of grief. Many artists depicting war and poverty have often described the physical signs of struggle, but Kollwitz and her contemporaries – Otto Dix and George Grosz among them – revealed the psychological effects of a country in turmoil.

Woman with Dead Child (1903) / Käthe Kollwitz - The Henry Barber Trust © The Barber Institute of Fine Arts, University of BirminghamIkon and the British Museum‘s Portrait of the Artist: Käthe Kollwitz exhibition aims to look at her work through the ‘exploration of three themes: social and political protest, self-portraits and the role of an empathetic and suffering mother.’ It promises a re-examination of her as ‘someone who illuminates what it means to be an artist and to sustain a creative life’.

Furthermore, this exhibition will be the first time that many of the artworks have been seen together since Campbell Dodgson, Assistant Keeper – then Keeper – of the Department of Prints and Drawings (1893-1932) at the British Museum, bought these images in Germany before the First World War. Perhaps it will bring together the contrasting interpretations of Käthe Kollwitz’ work and present a fuller picture of her creative influences.

For more on Portrait of the Artist: Käthe Kollwitz, visit www,ikon-gallery.org/event/kathe-kollwitz 

For more on Käthe Kollowitz, visit www.kaethe-kollwitz.de/en/

For more on the British Museum, visit www.britishmuseum.org

For more from Ikon, visit www.ikon-gallery.org