BPREVIEW: The Gilded Merkin Burlesque & Cabaret @ The Glee Club (B’ham) 18.03.18

The Gilded Merkin Burlesque & Cabaret @ The Glee Club (B’ham) 18.03.18Words by Emily Doyle

On 18th March, The Gilded Merkin returns to The Glee Club Birmingham for another night of burlesque and cabaret. According to BBC’s John Hess, it will be “a hugely generous dollop of magical sophisticated glamour” – what better way to spend your Sunday evening?

Doors open at The Glee Club from 6pm with last entry at 6:45pm. Minimum age of entry is 18, with tickets priced at £15 – for direct show information, including venue details and online ticket sales, click here.

As usual, The Gilded Merkin is programmed and hosted by Scarlett Daggers – a fiery redhead with ten years experience on the UK burlesque circuit. Scarlett Daggers’ rockabilly flair also makes her a favourite at car shows and tattoo conventions up and down the country, and saw her perform at the F1 Grand Prix Silverstone.

Taking a break from his role as resident host for Tres Tres cabaret in Stafford and La De Da Cabaret in Derby, comedian and vocalist Stage Door Johnny will be joining the line-up at The Gilded Merkin. Known for his wit, charm, and love of musical theatre, Stage Door Johnny promises to have the audience “eating from the palm of his hand – sometimes literally…”

Also on the bill is international artist Miss Betsy Rose, who was ranked the UK’s number one burlesque performer of 2016 by 21st Century Burlesque Magazine. Miss Betsy Rose’s classic look and professional dance background embody the spirit of early burlesque, and have seen her appear in French Vogue, ID, Harpers Bazaar and Italian Playboy.

Mr. B the Gentleman Rhymer will also be at The Gilded Merkin, combining jump-up, rap and banjolele to create an art form he’s labeled as ‘chap hop’. His electro-swing tracks have garnered a huge YouTube following and landed Mr.B live sessions with BBC Radio’s Rob Da Bank, Nick Grimshaw, Steve Lamacq and Shaun Keaveny, to name but a few. 

Also performing is Lolo Brow, a green haired Londoner who describes herself a neo-burlesque performer, drag queen and lizard lady. Named the Burlesque Awards Performer of the Year 2016, Lolo Brow combines her circus skills and total lack of respect for stage/audience boundaries to shock and delight. 

Last but certainly not least is Dave the Bear, who appears online under the username ‘bighairygrowler’; his various acts are said to involve, glitter, latex, mirror balls and his alter ego ‘Maria Beary’. Dave the Bear has previously appeared in all his hirsute glory on the cover of Playbear magazine, as well as showing off his comedy chops on 8 out of 10 Cats and The Xtra Factor. 

If there’s not something in The Gilded Merkin‘s showcase of burlesque and cabaret that grabs your attention this Sunday, I don’t know what to say to you… Try church? 

The Gilded Merkin presents a showcase of burlesque and cabaret at The Glee Club on Sunday 18th March – presented by Scarlett Daggers. For direct show information, including venue details and online ticket sales, visit www.glee.co.uk/performer/gilded-merkin-birmingham

For more on The Gilded Merkin, visit www.gildedmerkin.co.uk

For more from The Glee Club venues, including full event listings and online ticket sales, visit www.glee.co.uk

BPREVIEW: All Time Low @ Genting Arena 15.03.18

All Time Low @ Genting Arena 15.03.18

Words by Eleanor Sutcliffe

All Time Low will be performing at the Genting Arena on the 15th March – opening the show by performing their sophomore album, So Wrong, It’s Right, in full. Support will be coming from Southampton based Creeper.

Doors open at the Genting Arena from 5pm (Forum Live) and 6pm (Arena Bowl), with All Time Low scheduled to perform from 8pm onwards. Tickets are currently on sale from £37.63 plus booking fees – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including full showtimes, venue details, and online ticket sales, click here.

This will be the first UK tour for the Baltimore band since they released their latest album, Last Young Renegade, which scooped the Rock Sound Award for Album of the Year in 2017. A far cry from the more summer-y beats of So Wrong, It’s Right – their most recent LP explores a darker side to All Time Low’s style, winning over their fans with tracks such as ‘Dirty Laundry’.

It’s clear All Time Low have come a long way since releasing their debut studio album, The Party Scene, back in 2005. Their steady climb to pop-punk stardom has included performances at festivals such as Warped Tour, Reading and Leeds, plus more albums than you can shake a muddy greenfield stick at.

But the band’s last album did mark a significant shift as All Time Low left their long time label, Hopeless Records, to release Last Young Renegade through the Atlantic subsidiary, Fueled by Ramen. Their latest tour announcement hasn’t been without its obstacles either – with the withdrawal of Pierce The Veil as a co-headliner following allegations of sexual misconduct against the band’s drummer, Mike Fuentes, the status of the UK leg seemed in doubt.

But All Time Low soon rectified the situation by announcing that, as opposed to bringing in another headliner at such short notice, they would instead fill the time by performing their 2007 album So Wrong, It’s Right in full – alongside recruiting the support of ‘horror punk’ four piece, Creeper, on their UK dates.

And with popular tracks such as ‘Dear Maria, Count Me In’ and ‘Remembering Sunday’ hailing from the album in question, fans are in for a nostalgic treat at the Genting Arena and across the UK.

‘Dirty Laundry’ – All Time Low

For more on All Time Low, visit www.alltimelow.com

For more on Creeper, visit www.creepercult.com

For more from SJM Concerts/Gig and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more from the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

BPREVIEW: Phil Wang @ Glee Club 11.03.18

Phil Wang @ Glee Club 11.03.18

Words by Helen Knott

Comedian Phil Wang brings his fourth stand-up show, Kinabalu, to Birmingham’s Glee Club on Sunday 11th March.

Doors open at the Glee Club from 7pm to 7:30pm, with the show scheduled to start at 8pm. Minimum age of entry is 14, with tickets are priced at £12 plus booking fee. For direct show information, including venue details and online ticket sales, click here.

At the time of writing, Phil Wang is in the midst of an unlikely controversy. Apparently, in a yet-to-be-aired edition of the BBC’s TV favourite Room 101, Wang nominates Hollywood heartthrob Tom Hiddleston to be sent to the infamous room – the place of pet hates. A pretty solid choice you might think, but Hiddleston’s fans (the ‘Hiddlestoners’) are not amused. Wang is getting some serious stick on Twitter.

I’m sure that he doesn’t mind too much. Wang’s comedy often crosses the boundary into things it’s probably not okay to say out loud. He’s not one to beat around the bush on sensitive issues like race or sex or colonialism. Wang’s upbringing – he lived in Malaysia until he his mid-teens before moving to the UK – means that he gets away with a lot of it; he’s allowed to say that the British Empire isn’t all bad, because he has experienced life living in an arm of the British Empire firsthand.

It also means that Wang has ready-made ‘otherness’, something that many other comedians work to manufacture. His name is a perfect distillation of this: he’s half British, half Malaysian, and consequently feels like he doesn’t completely fit in anywhere. This is reflected in his material, and means that Wang can tell us plenty of insightful things about British attitudes to race from an outsider’s point of view.

Phil Wang will be performing his fourth solo show, Kinabalu, which has been solidly picking up four star reviews since it debuted at last year’s Edinburgh Fringe. This performance is part of an extended UK tour, which began at the end of 2017, and has featured a number of sold out shows. This backs-up Wang’s burgeoning TV career, including appearances on Have I Got News for You, Live at the Apollo, and Comedy Central’s Roast Battle, hosted by Jimmy Carr, in which beat fellow comedian Ed Gamble.

If it seems like Wang’s career is going pretty well for someone still in their mid-twenties, it should come as no surprise when you look back at his teenage years. He was performing stand-up sets before university and actively targeted a place at Cambridge so that he could be a member of the famous theatrical society Cambridge Footlights (previous members include Douglas Adams, Stephen Fry, Richard Ayoade and John Oliver). Alongside a degree in Engineering, Wang became president of Footlights and won the Chortle Student Comedian of the Year award. This is clearly a focused and ambitious man.

So far, that ambition, coupled with his unique point of view on British and East Asian culture, are making for a winning combination. Let’s just hope that the Hiddlestoners don’t get him.

Phil Wang – Live at the Apollo

Phil Wang brings his Kinabalu stand up show to the Glee Club (B’ham) on Sunday 11th March. For direct show information, including venue details and online ticket sales, visit www.glee.co.uk/performer/phil-wang

For more on Phil Wang, visit www.philwang.co.uk

For more from the Glee Club venues, including further event listings and online ticket sales, visit www.glee.co.uk

BPREVIEW: Feeder @ O2 Academy 14.03.18

Feeder @ O2 Academy 14.03.18

Words by Ed King

On Wednesday 14th March, Feeder perform at the O2 Academy Birmingham – with support from Sheffield’s ‘one to watch’ pop/punk four piece, Sweet Little Machine. Doors open at 7pm, with tickets priced at £31.45 – as presented by Kilimanjaro Live. For direct gig info, including venue details and online ticket sales, click here. 

Formed in 1994, as Seattle’s SubPop phenomena let go of the rock reigns, Feeder wasted little time in establishing themselves in the decade’s maelstrom of new music – garnering a demo based deal from the Chrysalis subsidiary, The Echo Label, in the same year they started. No stranger to the trials, tribulations, and changing hands of the live music circuit, all three original members had been working musicians before Feeder finally brought them together, with the artistry and ethics needed for a new band to be taken seriously.

But everything good starts with graft, and after a solid couple of years touring and releasing singles, Feeder got their debut Swim EP on shelf in 1996. The band’s follow up release and debut album, Polythene, was lauded by the rock press, with Metal Hammer giving it the No1 spot on their annual albums chart and Kerrang! likewise at No6.

Feeder’s balloon continued to rise as their sophomore LP, Yesterday Went Too Soon, entered the UK charts at No8 – with three of the album’s four singles breaking the Top 40 (‘Paperfaces’, the forth single, reached No41). Then in 2001, Feeder released Echo Park, with the band’s third studio album entering the UK charts at No5, reaching Gold status, and allaying any industry concerns about their pocket filling potential. Ah, the joys of creative cash flow…

But Feeder’s commercial zenith would also be their darkest time, as between the release of Echo Park and the band’s most commercially successful album, Comfort in Sound, drummer and founding member Jon Lee committed suicide. Mark Richardson took over the skins for Feeder in 2002, staying with them until reformation of Skunk Anansie in 2009 and handing his sticks to Solihull born Karl Brazil.

A workhorse of British rock, over their two decade and counting career Feeder have released 10 studio albums – their latest, Arrow, being morphed into a 41 track double LP, with a collection of what encompasses nearly all of the band’s singles.

Feeder are now bringing their new and old material to stages across the UK with The Best of Feeder Tour, landing at the O2 Academy Birmingham on 14th March. And if you needed it, here’s a refresher from both sides of this particular rock rainbow.

‘Just the Way I’m Feeling’ – Feeder (from Comfort in Sound 2001)

‘Veins’ – Feeder (from Arrow 2016)

Feeder bring The Best of Feeder Tour to the O2 Academy Birmingham on Wednesday 14th March, with support from Sweet Little Machine – as presented by Kilimanjaro Live. For direct gig info, including venue details and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham/events/1021733/feeder-best-tour-tickets 

For more on Feeder, visit www.feederweb.com

For more on Sweet Little Machine, visit www.soundcloud.com/sweetlittlemachine

For more from Kilimanjaro Live, including further event listings and online ticket sales, visit www.kilimanjarolive.co.uk

For more on the O2 Academy Birmingham, including venue details and further event listings, visit www.academymusicgroup.com/o2academybirmingham

ED’S PICK: March ‘18

Rews + You Dirty Blue, P.E.T @ Hare & Hounds 22.03.18Words by Ed King

**Due to the severe weather conditions, some March editorial may be delayed. It has nothing to do with 1) hangovers, 2) gigs on a Sunday that cause hangovers, 3) each episode of The Deuce being 1hr long. It’s the snow… it’s all about the snow**

The BIG NEWS this month is that Rews are coming back to Birmingham, finishing of their England tour with a special gig at the Hare & Hounds on Thursday 22nd March – joined by an awesome local line up, Tamworth’s garage rock two piece You Dirty Blue and Birmingham’s rising balloon punksters P.E.T.

Still out smashing holes in radio playlists and the right kind of ear drums across the country,  Rews are back on the road (do they ever stop!?!?) with their debut album Pyro – a rock pop stonker which we thoroughly suggest you check out. Read my Birmingham Review of the ten track beast here, or cut out the middle person and just get yourself a copy. You can bill me if you’re unhappy.

But Rews are a step up live. And don’t just take my word for it, ask any of the following: Hew Edwards, Mark Radcliffe, John Kennedy, Scott Mills, Alice Levine, Dev, Greg James, Scott Mills, Clara Amfo, Adele Roberts… (and that’s just the beeb). Or anyone who’s seen them play. Or Google. It’s not a difficult cross reference.

Of course, the best way to know for absolute certainty is to come and see Rews at the Hare & Hounds on 22nd March – for direct gig info and links to online ticket sales, click here. Or to can hop over to the Facebook event page for updates, info and links aplenty – click here.

Paloma Faith @ Genting Arena 21.03.18WARNING – CONTAINS CIVIC PRIDE: Rews have bolted Birmingham onto their England tour dates because their last gig in the city was such a stormer – Birmingham loves Rews, and it seems there’s a little mutual flutter there too. So, come down to the Hare on 22nd March, enjoy an awesome gig from Rews, You Dirty Blue and P.E.T, and stand on for your local live music scene. BRUMMIES UNITE.

And breathe…. There are other gigs this month, some pretty high profile shows too. In the land of five figure crowds, the Genting Arena hosts All Time Low (15th Mar) and the resplendent resurfacing of Paloma Faith (21st Mar). Whilst at Arena Birmingham we see some of America’s A-Lists rock with Fall Out Boy (27th Mar) and 30 Seconds to Mars (29th Mar). So, that’ll keep you busy. And a little broke.

Feeder @ O2 Academy 14.03.18N.B. Paul Weller was scheduled to play at the Genting Arena on 2nd March, but due to the school run slaying beast from the east (erm, the snow) this gig has been postponed. When we know more…

Editors play an ‘intimate’ gig at the Town Hall (4th Mar) to showcase their new album, Violence. Whilst across town Hookworms headline at the Hare & Hounds (4th Mar), and across the road Amit Dittani introduces his debut solo album, Santiago, at the Kitchen Garden Café (4th Mar).

Elsewhere in the city, Ezio return to Birmingham but this time at the Kitchen Garden Cafe (7th Mar), Astroid Boys tour their debut album, Broke, at The Asylum (1th Mar), Feeder take us on a retrospective love in at the O2 Academy (14th Mar), Joan Baez celebrates the end of a near 60 year live career as her Fare Thee Well Tour comes to the Symphony Hall (14th Mar), The Stranglers come to the O2 Academy (17th Mar),Rae Morris @ O2 Institute 21.03.18 ‘First Lady of Celtic Music’ and Clannad family member Moya Brennan plays at the Glee Club (20th Mar), whilst Rae Morris brings a sneak peak of her sophomore album, Someone Out There, to the O2 Institute (21st Mar). Phew… can anyone lend me a tenner?

And so exciting it gets it’s own paragraph, electronic music pioneers, Plaid, bring their AV tour to the Hare & Hounds on 10th March. A pivotal piece in the EDM jigsaw, Plaid come back to Birmingham after their sell out gig in the city last year – if this show doesn’t pack out then there’s something inherently wrong with the world, so we would suggest getting your Warp loving wriggle on and buying a ticket or two quick smart. For direct gig info and online ticket sales, click here or on the relevant hyper link.

Plaid @ Hare & Hounds 10.03.18A little later in the month the same promoters, Scratch Club, are putting on a breaks, beats and hip hop free bash at One Trick Pony with Dr Syntax (The Mouse Outfit, Foreign Beggars) & Pete Cannon, joined by Birmingham’s own DMC champion Mr Switch (30th Mar). For free..!?!? Now that’s a good bloomin’ Friday.

Film is stomping is size 10s across the city too, a cheeky month before Flatpack #12, with a healthy collage of celluloid (well, probably digital now) coming to screens in a variety of Birmingham venues. Ruben Östlund’s takes a well-penned stab at the pretensions of class and art with The Square – on general UK release from 16th March, before coming to The Electric (23rd Mar) and mac (30th Mar). Whilst mac programme a centennial celebration of Ingmar Burgman with The Seventh Seal (16th Mar), The Touch (17th Mar) and Persona (18th Mar).Here to be Heard: The Story of The Slits @ The Mockingbird Kitchen & Cinema 26.03.18

The Mockingbird hosts a Wes Anderson Marathon (18th Mar) featuring The Royal Tenenbaums at 12noon, Life Aquatic with Steve Zissou at 2:30pm, Fantastic Mr Fox at 5:00pm and The Grand Budapest Hotel at 6:45pm. Bit of a welcome refresher course before Anderson’s latest (and animated) feature, Isle of Dogs, is out on general release from 30th March – with two preview screenings at The Electric (25th Mar) if you wanted to jump the gun a little.

The Mockingbird are also showing the eponymous biopic about the notorious fashion designer, Westwood, throughout the month. But we recommend you wait until 26th March, so you can jump straight into Here to be Heard: The Story of The Slits – another biopic, but this time about an altogether more altogether slice of formative female punk.Comedy Short - fundraiser fro SIFA Fireside @ Artefact (Stirchley High Street) 21.03.18

On the city’s smaller silver screens this March, Neighbourhood present a series of comedy shorts at Artefact in Stirchley (21st Mar) – with a pay as you feel fundraiser for SIFA Fireside, a Birmingham based organisation who support ‘those experiencing homelessness or who are vulnerably-housed.’ A great charity that deserves our cash and consideration; look outside, now pay what you feel.

Elsewhere, The Victoria welcomes the rescheduled Birmingham Horror Group: Mini-Movie Marathon (25th Mar) which is also fundraising – this time ‘with proceeds from ticket sales going to the medical charity Diabetes UK’. Whilst the Kitchen Garden Café screen the Arnie body count craziness and all round awesome… Predator  (20th Mar) – which we are more than a little happy about. I’m off to buy a dog eared cigar, dog eared dog tags, and practice the film’s profound script such as, “if it bleeds we can kill it”. Powerful stuff Arn, Kierkegaard?

The Gilded Merkin @ Glee Club 18.03.18Treading the boards this month, Joe Black starts the UK run of his new show, Touch of Evil: A Celebration of Villainy in Song, with two nights at The Old Joint Stock (09-10th Mar). The Birmingham REP stages fingersmiths’ rewrite of John Godber’s Up’n’Under (12-14th Mar) – a play about pride and adversity (and rugby, to be fair) which has been adapted for all audiences ‘with a cast of Deaf and hearing actors using British Sign Language and spoken English’.

Overlapping a little bit, REP also present The Kite Runner (13-24th Mar) performed in venue’s main theatre, coming to Birmingham after ‘an outstanding’ run in the West End. Then back in the ‘burbs, The Wardrobe Ensemble present their tale 90’s nostalgia and the Blair honeymoon – Education, Education, Education – at mac (20th Mar).

On the more glamourous side of town, Alyssa Edwards’ The Secret Is Out Tour saunters over to the Glee Club (7th Mar), before BCU’s Burlesque society present Dare to Desire at the Bierkeller (15th Mar) and Scarlett Daggers brings The Gilded Merkin burlesque show back to the Glee Club (18th Mar).The Twisted Circus @ O2 Academy 30.03.18 Not far behind is Ben DeLaCreme, with her ‘terminally delightful’ show coming to the Glee Club (29th Mar) – a day before Klub Kids present The Twisted Circus in all its glitz and glory at the O2 Academy (30th Mar).

Comedy has a pretty decent crack of the whip in March too, kicking off with Russell Brand’s Re:Birth at Symphony Hall (8th Mar) before the Glee Club takes the reigns until April, with Phil Wang (11th Mar), John Robbins (21st Mar) and Tiff Stevenson (23rd Mar).

Outside of all that, if you’ve got any dry socks or shekles left, there’s A Notorious Odyssey at The Electric (24th Mar) – as Birmingham’s 35 piece a cappella choir, notorious, take us on ‘a musical voyage where no audience has gone before’ performing ‘tunes from sc-fi films and TV, to music inspired by space and the future.’

Across town and the space-time continuum, Rupi Kaur presents an evening of performance poetry the Town Hall (24th Mar) including work from her recently released second collection, The Sun and Her Flowers.Phil Wang @ Glee Club 11.03.18 Then just shy of a week later, Richard P Rogers rounds off the month with his Frank Cook and the Birmingham Scene exhibition at mac’s Community Gallery (30th Mar) – a study of the titular Ladywood artist, as he worked his way from the north Birmingham back to backs to art school in London in the late 1960’s.

Right then, a fair amount happening in March – I’m off to do some diary/bank statement cross referencing. And maybe drink a glass of wine, or two. What day is it again…?

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview.