Big Riffs Abound At Hare & Hounds With Sappho, Spits Milk and Knife Crime 03.09.22

Writer and photographer Emily Doyle


 
This summer, Camberwell noise-rockers Part Chimp announced their autumn 2022 tour, kicking off at the good old Hare & Hounds. Sappho and Spits Milk were announced as support.

A few weeks later, Part Chimp drummer Jon Hamilton broke his arm. The show had to be rescheduled to December, but the other acts knew better than to let a Saturday night slot at the Hare go to waste.

Mutes were due to play but also suffered an injury, so Brum punks Knife Crime opened the show. Treading the line between pop-punk and post-hardcore, the three piece gurn their way through a set, infectiously happy to be there.

Drummer John Maycroft is a powerhouse in Hawaiian shorts, setting a breakneck pace for fuzzed-up bass and breakneck shredding from Sam Bicknell and Geordie Blake respectively.


 
Spits Milk seem to have exploded onto the local live circuit this summer. The downtuned supergroup brought their scuzzy post-punk to Kaleidoscope last month and followed it up with a back garden gig somewhere in Cotteridge which allegedly involved as much spitting as their name suggests.

Thankfully their set tonight is marginally more Covid-safe.

Vocalist Tom Whitfield is captivating, perpetually roaming in and out of the crowd, coquettishly perching on the monitors, wandering out into the stairwell and playing peekaboo behind the blackout cloth.


 
His arresting vocals drown in the pummeling riffs, but they’re delivered with such vitriol it feels safe to assume the lyrics aren’t very nice.

That said, let’s all assume the song they introduced as ‘Supersonic Kids’ is a wholly good-natured jibe at Birmingham’s best-loved experimental music festival, eh?


 
Sludgy five-piece Sappho top the bill tonight, bringing a host of experience from the members collected via other projects: ​​Bee Stung Lips, Deadsunrising, Twist, Sally, Einstellung, Katastrophy Wife, Lash Frenzy, Super Yoko Space Cult… you could say they have some pedigree.

Stacks of green Matamps and orange Orange amps either side of the stage should give seasoned doom heads an idea of what to expect, but for the uninitiated – it’s about to get heavy. Rallying vocals lend the twin attack of stoner riffs, a melodic, grunge-y quality, with plenty of sonic heft for the crowd to chew on.

Sure, Part Chimp are going to be great when they come to the Hare on 6 December, but Birmingham’s heavy heritage means we can more than hold our own.


 
For more on Sappho visit www.instagram.com/sappho.band
For more on Spits Milk visit www.spitsmilk.bandcamp.com
For more on Knife Crime visit www.knifecrimeband.bandcamp.com

For more gigs and events at the Hare & Hounds visit www.hareandhoundskingsheath.co.uk

“The worst thing in life is a bored pop star.” Birmingham Preview talks to Jah Wobble, ahead of Hare & Hounds gig on 07/09/22

Words by Ed King

Jah Wobble and the Invaders of the Heart play the Hare and Hounds, Kings Heath, on Wednesday 7 September – for more gig info an links to online tickets visit: www.skiddle.com/whats-on/Birmingham/Hare-And-Hounds/Jah-Wobble

“It’s the worst checkout… they’re lovely, they’re really friendly, but there are never any fucking bags.”

The last time Birmingham P/Review interviewed Jah Wobble was back in 2010, when he was on the road with the Nippon Dub Ensemble – a Japanese Dub inspired offering with an onstage show of Ikebana (flower arranging) for support.

Over a decade later and the renowned bass player and punk pioneer (…when you grow up playing in bands with John Lydon and Sid Vicious) is coming back to Brum with the Invaders of the Heart, the band he’s played with since the late 80’s.

But when we make the call Jah is stuck at the tail end of a supermarket on a busy sunny Sunday afternoon in London. And as he negotiates the self service dystopia, his self effacing candour is a brusque but fresh breathe of air. “I mean, how do you get attention without looking like a self centred twat.”

An Aeries, who likes to surround himself with fellow rams, you can be assured there will be no fluff in this PR exercise.

“…Even my dog Tyson was an Aries,” continues Jah, “they can often be rude, they butt up against things. But they’re not snidey, they will just break through the barrier. As long as you’re honest and direct they’re fine.”

Having to cancel the last tour due to Covid, Jah Wobble and the Invaders of the Heart are touring 19 dates across the UK – coming to the Hare and Hounds in Birmingham on Wednesday 7 September. It’s been a while since he’s been in the second city, and the current tour has focused on the more “in between” towns that often get skipped.

“I like a small room, individual kind of places,” tells Jah. “I played with my top off in Northampton, because it was packed and there was not AC. So, I got my shirt off – I said ‘sorry and please avert your eyes’, but it was really sweaty. But I like that, it’s a direct thing. There’s nowhere to hide, you can’t fake it.

“We also played two festivals last week, and that went really fantastic. Both of them were really different.

“I like making festivals like events, where you just feel what the vibe is and don’t necessarily do a normal set – you stretch it out. I had my family there for the last one and we just went off into this Chinese thing… and people seemed to like it.”

The comments littering social media agree – from a crowd often in awe of being so up, close, and personal to the co-founder of Public Image Limited and one of the holy trinity of ‘70’s punk Johns’ (alongside Lydon and Ritchie, aka Rotten and Vicious).

It’s infectious, the candour, and you get the sense a Jah Wobble gig is as much about the man as the music – for the audience at least.

But there is intellect and humble introspection behind the acerbic humour, alongside a broad musical heritage that started in punk and moved (literally) around the world, embracing new sounds, styles, and audiences from across the globe.

As Jah decrees, when we delve into his stint working for the London Underground during his drying out period (the man has been clean and sober since the mid 80’s), “I like being involved in regular life… sometimes the best thing is the steady Eddie, to just get involved in life.

“The worst thing in the world are bored pop stars.”

We talk more about his family; Jah is married to the celebrated guzheng player and harpist Zi Lan Liao, and they have four children together – two of which have followed their parent’s footsteps into music.

His also wife runs a community centre, “hoovering up the people who have fallen between the cracks of social services and the NHS. It’s quite astounding what she does, so she’s very busy with that – fighting the community centre’s corner.”

Open about his personal life, there is a palpable sense of pride in his pride. And from a man whose Wikipedia entry regales an early life of drink, drugs, fights, and flights, as Jah states about people these days, “nice goes a long way.”

The conversation jumps from topic to topic, the difficulties of selling out shows in Birmingham, to the vagaries of an Arsenal supporter, and the increasing social media and bureaucracy of life on the road.

“I had to appoint a fire marshal within the band recently… for a venue,” he sighs, “everyone wants more and more information; everyone wants access to your Facebook page. That side of it’s a pain.

“But playing on stage is a joy. We’ve got a great line up; they’re good fellas. So, I couldn’t wait to hang out with them again.”

We touch on Covid, which forced Jah to cancel his last tour but gave him the time to develop his musicianship, getting to explore chord progression and delve back through music theory.

Jah also used the pandemic to achieve his Level 3 teaching qualification, which supports a music programme he offers to engage people through recording music – tacking the increased isolation left by the Covid  lockdowns.

“I thought, let’s try and do something for society – and what’s a good thing to tackle? I thought loneliness, lonely old blokes especially would be a good kinda target. I started it up north, and it was a bit difficult.

“But I’ve got a very good mate of mine called Anthony Hopkins (not the actor, although Jah has met him and is an ‘exceedingly good bloke’) who works for Borough Council and is a big music fan, he can play a bit as well. He helped adapt this idea.

“So, we started with him and Jon Klein (Suzie and the Banshees), a really good player and a lovely guy. Another bloody Aries.

“We started that, the pandemic came, and we carried on in Zoom. I became a teacher during lockdown to help when we resumed, which we did. So that’s turning; it’s become like a club. It’s a really nice thing.”

As we segue into class systems and the world yet to come, I could continue this conversation for longer than our time allows. But the football is starting and there’s only so many words you can fit on a page (or screen).

Jah Wobble’s the current tour feels like a good opportunity to hear both the music and musings of a man who has lived though, and survived, some of the more iconic moments in popular culture.

I have a thousand thoughts to add, but I end on a simple question, to a man once prone to an outburst or two but never shy of an honest answer.

“Yes, I am happy. Really happy. I was really happy in the 30’s because I stopped drinking and drugging, and I touched on something at that time.

“Then I get into my 40’s, had kids, and it’s been more graft. It’s been nice, but graft – you’ve got family, you worry about your family. Then in my 60’s, these last few years, and it’s felt golden again as it did my 30’s.

“And now’s a good time to go out and play these places, with large catchment areas and enthusiastic people who will promote the shit out of it. Any everyone’s fucking loving it; all the punters.

“And it’s a lovely vibe, so you really push the boat out.”

Jah Wobble and the Invaders of the Heart play the Hare and Hounds, Kings Heath, on Wednesday 7 September – for more gig info an links to online tickets visit: www.skiddle.com/whats-on/Birmingham/Hare-And-Hounds/Jah-Wobble

For more on Jah Wobble visit: www./jahwobble.com/

For more from the Hare and Hounds visit: www.hareandhoundskingsheath.co.uk

Amplify Sounds Takeover At Hockley Social Club 02/09/22

Writer Jasmine Khan / Photographer Maddie Cottom-Allan 

The food at Hockley Social club is pretty excellent at the moment. Maddie and I eagerly tuck into creamy vegan Thai curry and spicy cauliflower poutine with masala fries and mozzarella, waiting for Amplify Sounds’ Friday night takeover of The Unique Experience.

The place is buzzing, but I’m interested to see how the current family friendly, dinner time vibes will evolve to match the jumped up grime beats I know we can expect from headliner Louis D. Prince later on.

AC The Duchess steps up to the decks and the volume picks up, which I hope means the gig’s about to get going. Her first track’s a classic, District 78’s ‘Ready or Not Here I Come’ remix.

Unique, our radiant hostess, takes to the stage at around 9pm proving yet again that having a host really does make all the difference when it comes to creating an atmosphere in event spaces. She welcomes us with a soulful, charismatic melody. Then, a growling rendition of ‘Baby I Got Your Money’ – Ol’ Dirty Bastard.

“We want to make sure you feel good at The Unique Experience.”

There are a few familiar faces in the house band, including DJ who’s having a little boogie behind the drums, and first up making their Hockley Social Club debut is S-I from Coventry.

They’re a producer, singer-songwriter and their first song ‘Clouds’ is giving me mellow RnB energy. I can see green, flowing landscapes with giant fluffy blue skies, and smell soft, dewy meadows.

S-I bops about the stage singing Frank Ocean’s ‘Lost’, confidently smiling and gesturing into the audience. KYRA joins them for the last song set. With both artists hitting notes way up in the rafters, it’s a promising start to Amplify Sounds’ lineup.

KYRA is from West Brom and just 19. Her voice is immediately strong, even though its full force clearly isn’t on display yet. This one’s a hybrid of house and garage, and KYRA’s head voice is practically angelic.

There’s movement on the dance floor for the first time in the evening.

Next, KYRA performs her latest single ‘YDOTR’ (Young Dumb and On The Run) and the tracks got a bit of groove and a splash of sass. She finishes back on stage with S-I singing an almost pitch perfect cover of Dora Cat’s ‘Kiss Me More’, which is no easy task.

Although KYRA stays centre stage for the duration of her set, it’s blatant she’s got enough talent and personality to fill it. And I can’t wait to see what she’s got in store for Brum.

Unique takes some time out to appreciate AC and the platforms she’s created for local musicians across the West Midlands, then AC goes back to DJing with some rap, pop, and old school RnB vibes to fill the break.

Tana Chantal gets the award for most striking outfit straight off the bat. Her voice pierces the crowd as she starts her set with an original. It’s got good rhythm, and the audience is bobbing their heads in time.

Afterwards, it’s a cover of one of my (and everyone else’s?) favourite garage tracks, ‘Flowers’. Tana demands that we serve as her backing vocalists because she’s a few short. It’s a tall order but everyone gives it their best shot, including me.

The effort Tana puts into engaging with the crowd is rewarded with a few more bodies on the dance floor. Her original ‘Girl Like Me’ is emotive and showcases her dynamic vocals. In her final track, ‘Tears I Cry’, Tana’s complex feelings bleed into every note, sailing her up to some impressive heights.

There’s one more break and then it’s Louis D. Prince.

“It’s about to get a little bit more lit,” he says when he takes the stage.

Prince is part of the >THEM collective, a Brum based alternative grime group who rap about Brum cultures and politics. Prince’s sound is massive, it’s heavy even though he’s alongside a live band rather than pure bass over speakers.

Bringing in other members of >THEM, the group dive headfirst into ‘Pull-Up’ a loaded gun of a song ready to go off the minute it’s brought into play. The tempo races and the band struggle to keep up, but it doesn’t dappen the energy of the musicians on stage.

The keys are sharp adding to the drama of the song. Prince is down to a vest top; it’s getting hot in here.

“I don’t usually do covers,” he says before launching his chest into Kendrick’s ‘i’.

Prince’s tone’s got depth and edge. He pulls us in releasing at just the moment to maximise the impact of his powerful voice. His flow is quick, it’s tight, and although he’s clearly putting his all into each track, he’s got an effortless, easy stage presence.

“I’m a better rapper than I was a student, I promise you that.”

Lord Andrew produced the next track, and he jumps up to take the lead. The beat drags, a choir of deep, booming voices made up of Prince, Lord Andrew, and Yonko Leck, creates a temporarily sinister atmosphere. Again, the keys know exactly what they need to do to hold the tension.

With just one track left, I’m disappointed Prince’s set is about to be over, but a cover of Notorious B.I.G’s ‘Big Papa’ is exactly the vibe to send us off with.

I was thinking about leaving the jam out of my review because it isn’t technically part of Amplify Sounds’ lineup, but the artistry on display won’t allow me to do it with a clean conscience.

With Unique at the helm directing the band, a tidal wave of musical talent flows from the stage, rappers, singers, hip-hop, RnB, soul and a touch of jazz all get a turn.

Louis D. Prince is back, so is S-I, as well as others I’ll be looking up after the show. What a great start to the weekend I think, buzzing, finishing off my Appletiser and heading home to edit my notes.

Amplify Sounds At Hockley Social Club 02/09/22 – Maddie Cottom-Allan

For more from S-I go to go to @shaphansmith on instagram
For more from KYRA go to: www.m.soundcloud.com/user-741645725
For more from Tana Chantal go to: www.open.spotify.com/artist
For more from Louis D. Prince go to: www.open.spotify.com/artist
For more from Call Me Unique go to: www.callmeunique.com/
To keep up with AC The Duchess go to @ACTheDuchess on Instagram and Twitter
 
For more from Hockley Social Club go to: www.hockleysocialclub.com

For more from Amplify Sounds go to: www.amplifysounds.co.uk

The Handsome Family Bring A Creepy Slice Of Albuquerque To The Hare 30 August

Writer and photographer Emily Doyle


 
As festival season draws to a close, the listings at the Hare and Hounds look more tempting than ever. Nestled amongst Total Luck’s single release party, Die Das Der’s bank holiday all-dayer, and the eagerly anticipated return of San Franciscan-noise rockers Deerhoof, is a Tuesday night show from The Handsome Family.

It’s been postponed since 2020, but holders of the (now sold out) tickets haven’t forgotten about it – on arrival the queue stretches down York Road. I was hoping to slink past Table Scraps, who are playing in the other venue, but they are sitting outside waving as I arrive – not to brag but I kind of know them.

I awkwardly wave back and join the growing queue. You can’t make it to them all.


 
Opening the show is Chicago songwriter Daniel Knox, whos jaunty piano-led narratives have caught the attention of Jarvis Cocker, Rufus Wainwright, and even David Lynch. His rich baritone keeps the growing audience in a hushed silence.

Knox’s self-deprecating tone – “I’m not a guy who apologises for being bad…more like your friend makes you some really good food and you find a hair in it but you just quietly remove it because you don’t want to be rude”- is endearing in combination with this wry lyrics, written out on scraps of paper which he screws up and throws on the floor after completing each song.


 
It’s shoulder to shoulder in the venue when the Handsome Family “excuse-me” their way onto the stage.

The person next to me excitedly tells me she last saw them at the Glee Club, way back in 2006. It’s pretty clear she’s not the only long-time fan as the band begin with a lilting rendition of ‘No One Fell Asleep Alone’ from 2001’s Twilight, and the audience glows.


 
The set is a tour through their extensive back catalogue, held together by a joyous chemistry between the husband-and-wife duo Brett and Rennie Sparks. They playfully jibe at each other before slipping back into perfectly harmonised vocals, and it feels like you’ve been invited into their home to sit by the fire while they prepare dinner.

But “dinner” is actually a collection of spellbinding gothic americana. The macabre narratives are underpinned by haunting pedal steel courtesy of Alex McMahon.

There’s no doubt, this show has been worth the wait for all concerned, and no one seems to mind that the tour t-shirts say ‘Spring 2020’ on them.


 
For more on The Handsome Family visit www.handsomefamily.com

For more on Daniel Knox visit www.danielknox.com

For more gigs and events at the Hare and Hounds visit www.hareandhoundskingsheath.co.uk

Lime Cordiale At O2 Institute Birmingham With Support From Leoniden 31/08/22

Writer Laura Mills / Photographer Dominic Mould


 
I touch down in Digbeth, arriving at O2 Institute to go through a dated corridor just before the double doors. I can already hear some big sound vibrating through the walls.

Downstairs I head to see German stars Leoniden giving it their all, bouncing and bounding around the stage. Leoniden is a mix of funky indie sounds with immense energy but heavy and powerful enough to have a rock edge. They may be supporting, but they’ve captured the stage as theirs in front of my very eyes and the entire crowd are clearly fixated.


 
As the singer screams “Who said they’d never jump for a support band?” the punters at the institute jump along with the band perfectly in time.

There’s a quick break, the packed crowd are waiting eagerly for Lime Cordiale’s appearance, and the air is filled with a mix of beer, sweat and Elf Bars.

Suddenly, the lights dim but the intensity rises as we wait for the band to step on to the stage, and then they do. Music blaring out, dressed head to toe in the quirkiest brightly coloured suits, each band member switching into different fruitful poses while the crowd gaze, obsessed by their every move.


 
Lime Cordiale kicks off this mid week set with a bang, and one of my personal favourites ‘On Our Own’. The guitar chords creating a riff that could shimmer paired with confident, solid vocals makes a Lime Cordiale a complete treat to hear. The layering in this track is sensational and projected onto the adoring crowd who are waving their arms in the air.

Next up is ‘Naturally’, straight into the vocals from Louis Leimbach – superb exactly the same as recorded, if not better. This song also introduces this Brummy crowd to Oli Leimbach’s vocals that are sweeter and softer than his brothers but just as good.


 
The instrumental is so strong with this band in every track. It feels thought out and so well put together creating this sense of unity between them and that is mirrored in the crowd’s reaction who are lapping up the electric atmosphere created in the room.

Throughout the show we see each band member take on various instruments such as the clarinet, trumpet and a trombone only adding to the immense atmosphere Lime Cordiale have already created in the venue.

One thing that stands out about Lime Cordiale is they have a consistent, trademark sound, managing to capture this and convey it through both of their albums.


 
The setlist for this has been chosen perfectly, a mix of their classic songs and some of their latest tracks which are received fondly by the brummy crowd.

The atmosphere is completely joyful, almost like a carnival in the smaller sized venue and five lads with clear stylish persona clearing everyone’s mind of anything other than the music.

A special shout out to the security for passing out water, I really needed a drink after all that singing. But it’s all a ploy to distract us because the crowd turns around, Louis and Oli are up on the balcony with a guitar and a mic ready to sing ‘Waking Up Easy’ to give Louis his ‘Ed Sheeran moment’ and what a moment it is.


 
A sea of people singing each and every line along with the brothers.

Back on the main stage the brothers are mocking German accents after the first part of their European tour.

We launch into ‘Ticks Me Off’ and if we weren’t already losing our shit because of the fast pace of this song, then Oli jumping on to the barrier getting us to chant fires everyone up even more. The pace in this track is much faster and that with a mix of Oli firing us up sends the fans jumping around like mad.

Oli’s telling us to be careful post show and encouraging us to love ourselves which I think everyone needs to hear, but it sounds even better coming from this musician.


 
A cover of ‘I Touch Myself’ makes for a great sing along uniting the crowd once more. The lads leave the stage but I know we’re not done yet.

Suddenly they reappear with ‘Robbery’ performing it with absolute energy and precision – much better than the studio version, and we finish on ‘Inappropriate Behaviour’.

Lime Cordiale, I’m in love with you. O2 institute, I will be back.


 
For more on Leoniden, check out their website here: www.leonidenmusik.de
For more on Lime Cordiale, check their website here: www.limecordiale.com

For more events at the O2 Institute go to: www.academymusicgroup.com/o2institutebirmingham