PREVIEW: Scott Matthews @ The Glee Club, Sun Apr 7th

Scott Matthews-1862892

Scott Matthews comes to The Glee Club in Birmingham on Sunday April 7th, playing the first in a 6 dates across the UK.

Matthews will be closing his month long tour at The Glee Club in Nottingham on Sunday April 28th.

‘Roadtesting’ songs from his fourth studio album, Matthews will be playing an ‘intimate’ gig in The Glee’s Studio Room – supported by Folk singer/songwriter, Katherine Priddy.

Scott Matthews released his debut album, ‘Passing Stranger’, in 2006 – winning the Ivor Novello ‘Best Song Musically & Lyrically’ Award for the LP’s first single, ‘Elusive’.

Promulgated by several Radio One pundits, ‘Elusive’ received significant national airplay; further pushing both ‘Passing Stranger’ and Matthews into an early limelight, whilst opening up European festival and tour circuits.

Matthews’ soft vocals over stripped back Folk Rock, with elements of Latin percussion, Americana and multi instrumental accompaniment – have built the Wolverhampton based singer/songwriter and strong global following.

Mainly produced by Jon Cotton, a composer and string arranger who has scored for several film and TV productions, Matthew’s carries a cinematic feel on much of his studio based releases.

Subtle accompaniments, incidental sound bytes, interludes and soft layering of vocals and string have defined much of Matthew’s studio sound.

However his second studio album, ‘Elsewhere’, was recorded at Wolverhampton’s Magic Garden Studios by Gavin Monaghan – and featured Led Zeppelin lead singer, Robert Plant

Matthew’s fourth studio album, to be released later in 2013, is reportedly being recorded at the artist’s home in Wolverhampton – with Jon Cotton back as producer.

Jon Cotton has also worked with Broadcast, Carina Round, Jo Hamilton and Sweet Billy Pilgrim.

Scott Matthews plays The Glee Club (Birmingham) on Sunday April 7th, and The Glee Club (Nottingham) on April 28th

For further details on both gigs and venues, visit http://www.glee.co.uk/

For more on Scott Matthews, visit http://scottmatthewsmusic.co.uk/

& BEYOND: ‘Run’ by Driving Lolita – JMist Remix / FREE DOWNLOAD

Driving Lolita -  press shot - sm

Kicking off the first in a month of free downloads, Driving Lolita give you ‘Run’ – JMist Remix

Free, gratis, livre, kostenlos – FOR NOTHING

Well almost… Driving Lolita‘s generosity over their latest release is part of the promotions for their upcoming headline gig, at The Queens Head in Islington, London – happening on Thurs April 25th

So it cost you a bit of attention. Click on the following link and tell us if it was worth it:

Driving Lolita – ‘Run’ JMist Remix

Driving Lolita - free download

Ed King will be following Driving Lolita throughout April, ending up in Islington for their ‘&Beyond’ Birmingham Review.

Driving Lolita headline at The Old Queen’s Head in Islington, London – on April 25th

You can join the Facebook event page for this gig at https://www.facebook.com/events/337891936316894/

Driving Lolita logo

For more on Driving Lolita, visit www.drivinglolita.com

& BEYOND: Driving Lolita @ The Old Queens Head (Islington, London), Thurs Apr 25th + ‘Run’ remix downloads

Driving Lolita -  press shot - sm

Driving Lolita, the London based Electro Punk outfit, are giving away remixes of their latest release – ‘Run’, throughout April.

Every Tuesday this month, a new track will be available for download at www.drivinglolita.com – starting with the JMist remix, coming out tomorrow.

Diving Lolita are releasing their ‘Run’ remixes as part of the build up to their next headline show, at The Old Queen’s Head in Islington on April 25th

Ed King will be heading down the M1 later this month, to give Driving Lolita their ‘& Beyond’ Birmingham Review; but not before clawing through some of the band’s portfolio.

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Driving Lolita is the brain child of Drum & Bass producer and Radio 1 presenter, D-Code; in a move to create an “organic, rough round the edges” new sound.

Known for his solid D&B productions, such as ‘Glitterstep’ – with Chan 1, and ‘Annie’s Horn’, D-Code’s flare for tough beats is one of Driving Lolita’s prominent foundations.

Guitarist Abrar Hafiz (previously bass & vocals for Sona Fariq) ‘provides the grit’, layering constant Punk riffs over a fearsome Big Beat backdrop; with vocalist Graziella Affinita (Foreign Beggars, Miss Frank) punching out a cross vocal approach, steeped in Blues and Hip Hop.

Driving Lolita also features contributions from Tom Cameron, aka Arrows Down.

Created with a live sound in mind, Driving Lolita “popped our cherry” at The Nest in Dalston – in Nov 2011.

Spending the subsequent two years “road testing” their live show, Diving Lolita have played stages halfway around the world – from Radio 1’s Hackney Weekend, to the NH7 festival in Pune, India.

Check out Driving Lolita performing ‘Run’ at XOYO:

Driving Lolita headline at The Old Queen’s Head in Islington, London – on April 25th

You can join the Facebook event page for this gig at https://www.facebook.com/events/337891936316894/

And get more details on the venue at http://theoldqueenshead.com

Driving Lolita’s ‘Run’ – the JMist remix,will be available for free download from April 2nd, at www. www.drivinglolita.com

OPINION: The world of Metal salutes you – R.I.P. Clive Burr

Clive Burr

By Ann Sulaiman

On Tuesday, March 12th 2013, metalheads throughout the world expressed their condolences on the news that Clive Burr, the original drummer for Iron Maiden, lost his lengthy battle with multiple sclerosis and passed away in his sleep.

Although, I didn’t know much (if anything) about him until word of his death spread online; and to be frank, it didn’t register with me the same way as the death of Type O Negative‘s Pete Steele or Ronnie James Dio did back in 2010.

However seeing how mainstream press, from Yahoo! News to The Guardian, didn’t give more than a very brief obituary on Clive Burr (which look suspiciously similar to one another), I decided to do some digging of my own.

Here’s what I found:

Iron Maiden fans (who are heralded as being a loyal part of the international metal scene) remember Clive Burr for his work on the band’s first three albums; all of which hold a legacy as being part of Iron Maiden‘s most stellar material.

A friend told me that while current drummer Nicko McBraino has more of a jazz style to his sound, Clive Burr was more of a heavy metal drummer – which fitted the earlier, rough quality of the first records.

Band line-ups are frequently subject to changes for a variety of reasons, from personal issues – such as that infamous rift between Metallica‘s Lars Ulrich and Megadeth founder Dave Mustaine, to simply a lack of passion.

But in Burr’s case, the reason for his departure wasn’t precisely clear.

Especially as it came in 1982, following the release of ‘Number of the Beast’; the album which saw a key progression in Iron Maiden‘s sound from its raw, filthier punk and hard rock leanings towards the galloping, high-end notes that have become their signature today.

Burr even held credit for co-authoring a song from that album, ‘Gangland’; one of Iron Maiden‘s meatier songs from their back catalogue.

In an exclusive interview with the French edition of Rock Hard magazine, Burr had this to say:

”The decision [for my dismissal] was probably made by the band, or… Steve Harris, [as] it’s always been his band right from the start, and, you know, I never came over one day saying, ‘That’s it, I’ve had enough, I quit.’ I simply accepted the decision as it was.”

Clive Burr soon moved on to, temporarily, play for bands like Gogmagog, Elixir and Desperado with Twisted Sister’s Dee Snider; even having a small side project of his own, entitled ‘Clive Burr’s Escape’. Although none of these ventures led to much success, most likely due to poor management and bad record company choices (as can sadly happen with the fickle nature of the music industry).

Then in 2001 Burr’s luck changed for the worst, when he was diagnosed with multiple sclerosis (MS).

MS would not only make it difficult for Burr to play the drums again, but would also ironically reunite him with Iron Maiden. On hearing that the illness had crippled Burr for life and put him in risk of homelessness (with treatment costs making it difficult for him to keep up with house payments), the band soon set up the Clive Burr MS Trust Fund, to help their former colleague as well as other MS sufferers.

By January 2007, the charity had raised a total of £235,000 which was more than enough to help Burr pay for his basic needs and the necessary treatment for his condition. It also covered the mounting debt on his house, where he recently died peacefully.

While he was still alive, and later after the diagnosis of MS, Clive Burr made a few rare, public appearances with Iron Maiden in 2002, during three charity concerts held for him at the Brixton Academy. Owing to the special cause behind them, metalheads from all over England travelled great distances to show their support.

Noted by both fan (and the band) to be a good person who never lost his sense of humour, you get a glimpse of the kinship between Burr and his former bandmates in the video clip below. Before his confinement to a wheelchair, Burr stands onstage, where he throws drumsticks to the crowd, showing his gratitude to his friends with a hug:

(Click to play)

Clive Burr Concert - still

 And there you have it, this is what I had been able to dig up on Clive Burr – during the brief period that I heard about his passing.

Being as young as I am, physically and as a metalhead, there’s always so much history for me to learn about as well as listen to.

So if you need me, I’m going to listen to some early Iron Maiden.

Ann Sulaiman is Birmingham Review’s resident metal head, and author of Me(n)tal Meltdown.

Read more from Ann Sulaiman athttp://metalmelt.wordpress.com

REVIEW: Johnny Marr @ Institute, Sat Mar 16th

Johnny Marr in concert at The Institute - Birmingham

Words by Matthew Osborne / Pics by Katja Ogrin

Poor old Johnny Marr, doomed to always live in the shadow of a much more popular and venerated member of the Smiths.

We would do well to remember that both he and Morrissey were the creative forces behind the Smiths, and bitterly fought law suits will always be there to remind us, lest we forget.

Like Mozza, Marr is still idolised by a certain demographic, and around the Institute before the show begins, I swear I walk past him two or three times; each ‘sighting’ turning out to be just another retro dressing mod with Noel Gallagher’s haircut. As one of the Godfathers of the Madchester scene, Johnny’s following are clearly identifiable at fifty paces.

The real Johnny Marr takes to the stage looking like many of the audience. He does his best to liven up some of the fairly pedestrian tracks from his first solo album with a number of awkward and jagged stage moves plucked from a repertoire which included air kicks, pointing, and showing the audience his guitar.

He reminds me of the boy who Jack Black recruits as his guitarist in School of Rock, and then educates to embody all of the biggest guitar show offs in the history of rock and roll.Johnny Marr in concert at The Institute - Birmingham

Johnny Marr, however, is rock and roll history; and never is that clearer than when, from in amongst a set consisting mainly of the middle of the road tracks plucked from The Messenger, a familiar guitar lick rings out from Marr’s trademark Rickenbacker, and we are treated to ‘Stop Me If You Think You’ve Heard This One Before’, ‘Bigmouth Strikes Again’, ‘How Soon Is Now’ or anthemic set closer (and best moment of the evening) ‘There Is A Light That Never Goes Out’ – all of which, let’s not forget, he is responsible for in varying percentages.

The crowd welcomes these tunes with such enthusiasm that I can’t help but feel sorry for Johnny, destined always to live in the shadow of his former glory but too far gone to ever be able to do anything else (plumbing, dentistry etc).

Johnny Marr in concert at The Institute - Birmingham

And Marr is not a natural front man, mainly because his voice is not powerful enough to be heard clearly above the roar of the guitars. He has historically teamed up with lead singers whose voices are unmistakable  powerful in their uniqueness; whether that be Morrissey, Isaac Brock (Modest Mouse), David Byrne (Talking Heads) or Chrissie Hynde (The Pretenders).

After so many successful years providing spectacular guitar two steps to the left of the limelight, it is strange that Marr waited until now to make it on his own. With such a remarkable CV his influence and abilities are unquestionable, but the point of his first unremarkable solo album is.

Whatever the reason, it’s nice that we have an opportunity to celebrate a man who’s lived in the shadow of some notable characters; Marr deserves the adoration that the audience bestow upon him. His band keep the songs tight, allowing him to strut around the stage like he owns the place, and this is what the crowd have come to see.

However, after the hero worshiping hysteria dies down and the buzz of seeing a live rock band dissipates, I wander how many will remember the non-Smiths songs that are played tonight.

Johnny Marr in concert at The Institute - Birmingham

Perhaps for a short while, but ask them again in a couple of years time..?

For more on Johnny Marr, including digital downloads of ‘The Messenger’, visit http://www.johnny-marr.com

For further events at the Institute, visit http://mamacolive.com/theinstitute/listings