UPDATE: Beta Birmingham – Drop Beats Not Bombs @ Q Club & Glitch FM

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Couple of updates from Beta Birmingham, the locally based label and Glitch Hop champions.

First off, Beta Birmingham are hosting the Basstronics stage at Drop Beats Not Bombs 10th Anniversary this weekend, with the following putting in an appearance: Barbarix, Shamanic Technologies, ADJ, Beta Test (live), Spenghead, DJ Switch, Kryme, Skanky Panky Allstars & and a VJ set from Leon Trimble.

All for £10, with five other stages thrown in. None too shabby.

Check out the DBsNBs Facebook page for more info – click here or below.

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**VENUE CHANGE – Drop Beats Not Bombs 10th Anniversary will now be held at the Q Club, NOT on Pickford Street as previously advertised**

Second up – if you’re not quite 100% on what the ‘ere Glitch Hop thang is… well, fret no more, because here’s 2hrs of it to get you’re teeth into.

Beta Birmingham‘s Terrorbyte & Automaton host their monthly show on Glitch.FM, with a special guest mix from Chris De Luca (Funkstorung).

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So click and learn children of music, click and learn.

For more on Beta Birmingham, including a free download of thier latest album – Council Pop, visit http://www.betabirmingham.co.uk

Beta Birmingham host the Basstronic stage at Drop Beats Not Bombs, on Sat May 4th. For more info on this event, visit https://www.facebook.com/events/453141008076523/

REVIEW: Peace @ O2 Academy, 27th April

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Words by Holly Pyke, pics by Charlie Rose

I first saw Peace perform in June 2012, supporting Editors, and found them to be mediocre musically.

But a lot has happened for this band over the last ten months and I was keen to see how they’d grown. And where better than their big homecoming gig, at the O2 Academy on Saturday 27 April?

Championed by NME, The Guardian, the BBC, and many other online publications as the next big thing to come out of Birmingham, Peace entered the stage to great applause.

_DSC1700 - SM LRAlthough, and similarly to their support band – a last minute (and seemingly unannounced) change from Superfood to JAWS, Peace made little interaction with the crowd, other than asking “How you feeling?” several times throughout the set.

This surprised me for a homecoming gig, especially one attended by such a large and enthusiastic crowd, and consequently I felt the mood slump in the silences between tracks._DSC1687 - SM LR

Despite a difficulty, at times, to distinguish between songs – Peace’s performance was tight, their drummer skilled and (despite being difficult to hear due to the poor sound at the O2 Academy) the backing vocals impressive; maybe sometimes even more so than the lead vocals.

But with only their EP ‘Delicious’ and current debut album ‘In Love’ behind them Peace don’t have an extensive back catalogue to draw upon. And whilst the majority of the songs played had memorable moments, the set remained largely forgettable (aside for ‘Lovesick’, which stuck in my head for all the wrong reasons).

_DSC1700 - SM LRHowever tracks such as ‘Float Forever’ and ‘Follow Baby’ did stand out – with ‘Wraith’ and ‘Scumbag’ beginning to provoke some real energy throughout the room.

Unfortunately this was not to last, as ‘1998 (Delicious)’ followed in ten overly long minutes with the impact of a funeral dirge. Luckily the youthful front row remained unaffected, and in place, as Peace’s guitarist leapt off stage – in a lone crowd surf that represented the pinnacle of their audience interaction.

Peace finished their set without saying a word.

Overall, and sadly, I found Peace to be pretentious and bland performers – completely lacking in the showmanship, or camaraderie, you’d expect at a highly anticipated homecoming gig.

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And whilst it’s entirely possible I lack all relevant musical taste, I did see the audience shrink during the main performance – with more leaving before the encore was over. So I may not be alone. If this Peace, give me war.

Peace’s debut album, ‘In Love’, is out now.

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For more on Peace, visit http://peaceforeverever.co.uk

OPINION: The Bucket List (just a bit of it)

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By Ann Sulaiman

Things on my bucket list, number 2400 – 2403:

– Finish my first comic

– Explore Norway

– Go to the Roadburn Festival in the Netherlands

– Buy a winged horse and name it Fluttershy

“My, Ann, what an odd list!”

”The horse?”

”The festival! What is this – ‘Roadburn’? Why would you want to attend a Dutch biker convention?”

First of all, it’s a heavy metal festival, not a biker convention. Now before you walk out on me, because I threw the words ‘heavy metal’ out there, let me explain my eagerness to go:

For one, word on the street is that Roadburn has its own cult following, and with good reason, if you love doom metal and its subgenres.

The deep, low roars of funeral doom, the rock ‘n’ roll moves of traditional doom (for the record, see old-school Black Sabbath and Pentagram), the staggering crush of death doom (namely disEmbowelment and Hooded Menace) – hell, even stoner doom which draws on the rhythms of stoner rock for its down tuned psychedelia. (If you like stoner rock, that is, but I digress.)

In short, the chance to catch quality doom metal, live, in one spot sounds damn tasty to me.

Secondly, it’s been said that the lure of Roadburn is so great, that bands seem to reunite just to play it.

The aforementioned disEmbowelment, who are considered pioneers of the death doom sound, came back together after nineteen years to play Roadburn 2012; before swiftly returning to obscurity.

But Roadburn’s also a pull for bands just striking out, with young acts keen to make it over to the festival.

Case in point, Rhode Island upstarts Pilgrim performed their own, fresh take on old school metal, while fellow Americans Castle played a dirtier, smokier brand of heavy rock the same day.

Then England’s own traditional doom outfit Witchsorrow took the show at the Green Room stage on the Friday afterward.

What these three bands have in common, aside from a genuine quality and spirit behind the music they play, is that they’re all newcomers seeking to make a name for themselves in the doom genre, let alone heavy metal. So what better place to do this than a place where they can also rub heads with the likes of other, more established bands such as Electric Wizard or Sigh?

And if that’s not enough, my next point should further clarify my eagerness to get to Roadburn someday.

Apparently, some artists on the Roadburn bill dedicate their festival setlist to playing whole albums from their back catalogues.

For instance, doom metal legends Candlemass played their first album, ‘Epicus Doomicus Metallicus’ at the festival in 2011, while Canadian thrash legends Voivod Did the same for ‘Dimension Hatröss’ the following year.

Roadburn 2013 saw industrial metal heavyweights Godflesh, who – since getting back together some time ago – treated their fans to a full play of their third LP, ‘Pure’.

I have no idea who’s going to be playing at Roadburn 2014, but this premise is a music lover’s dream.

I’m still kicking myself for not finding out about Roadburn until last year. So come on, bucket list, make it happen. Let me go to the Roadburn Festival at least thrice (yes, thrice, since it sounds too good to only be experienced once in my lifetime).

Then you can get me a horse named Fluttershy.

Ann Sulaiman is Birmingham Review’s resident metal head, and author of Me(n)tal Meltdown.

Read more from Ann Sulaiman at http://metalmelt.wordpress.com

ALBUM: ‘Council Pop’, FREE DOWNLOAD from Beta Birmingham

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Birmingham based imprint, Beta Birmingham, recently released ‘Council Pop’ – a 10 track album of ‘Brum town bootlegs and Midland’s mashups from Beta’s stalwart selectors’.

Featuring Revo, Feva, Buju Banton, Redi Knightz, DJ Switch and more, ‘Council Pop’ is available for free download from Beta Birmingham’s website. And who said Christmas was over?

Set up in 2011, Beta Birmingham was “born out of a compulsion for low down straight up party music”, according to its founder, Harley Davies.

Purveyors of Glitch Hop, and ‘experimental architecture and dancefloor delivery’, Beta Birmingham spanked the hell out of us with ‘Council Pop’ – a fearsome mash up of Roots, Hip Hop, Dub and Electronica. Impressed, we were that.

But don’t take our word for it, click here (or on the image below) to download a copy – and let us know what you make of it.

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Birmingham Review will be following Beta Birmingham, like a hungry cheetah, and letting you know more about this local label as they develop. And the word cobblestones is there’s some big plans in the offing.

First up though, Beta Birmingham will be hosting the Basstronics stage at the Drop Beats Not Bombs 10th anniversary, being held on Pickford Street in Digbeth – Sat May 4th; with showcases from ‘Council Pop’ and the label’s wider roster.

Beta Birmingham host the Basstronic stage at Drop Beats Not Bombs, on Sat May 4th. For more info on this event, visit https://www.facebook.com/events/453141008076523/

For more on Beta Birmingham, including a free download of Council Pop, visit http://www.betabirmingham.co.uk

PREVIEW: Alessi’s Ark @ Hare & Hounds, May 1st

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Alessi’s Ark, aka Alessi Laurent Marke, performs at the Hare and Hounds on Wednesday May 1st.

A gentle but potent songwriter, Alessi’s Ark has garnered general industry acclaim across the past half decade; maintaining her identity within a burgeoning acoustic scene.

Squeezing 10 UK dates into 11 days, the singer/songwriter is touring to promote her third album, ‘This Still Life’ – released in the UK on April 15th.

Alessi’s Ark will continue the promo trail across Europe and America, before returning to the UK for a handful of festivals, including the Moseley Folk on Sat August 31st.

Living the actual dream of many X Factor shadow puppets, Alessi Laurent-Marke was ‘discovered’ whilst still at school, after writing her first song, ‘Glendora’, for her GCSE coursework.

Encouraged by the faculty, and supported by her parents, the young Laurent-Marke decoded to dip her toes into professional music; selling her debut EP, ‘Bedroom Bound’, at gigs and through MySpace.

After playing ‘anywhere’, and picking up online momentum through social media and music sites, Alessi Laurent-Marke signed with Virgin Records on June 29th 2007 – the eve of her 17th birthday. With no public breakdown, tears over ill relatives or sensational story of redemption.

Her debut album, ‘Notes from the Treehouse’, was released in May 2009 – and recorded at Mike Mogis’ and Conor Oberst’s studio in Omaha. It is reported that Laurent-Marke cited the American folk group, Bright Eyes, as ‘dream producers’ for her major label debut.

Despite a strong reception from the music press, and subsequent support tours with Laura Marling, Mariee Sioux, Emilíana Torrini and Cerys Matthews, Alessi’s Ark left Virgin in February 2010 – signing to Bella Union to release her second album, ‘Time Travel, on April 25th 2011.

It would be another two years until her third album, ‘This Still Life’, was released – again on Bella Union.

Alessi’s Ark performs at the Hare & Hounds on Wednesday May 1st. For details and tickets, visit http://hareandhoundskingsheath.co.uk/event-listings/event/?eventID=10026000 

For more on Alessi’s Ark, including full tour dates and digital downloads of ‘This Still Life’, visit http://www.alessisark.com/