BPREVIEW: Manifest Live: Lipzkin + Call Me Unique, Quarry, The Synth @ O2 Academy, Sat 11th Jan

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Midlands music promoters, Manifest, return to the O2 Academy with another showcase of regional acts on Sat 11th Jan.

O2 Academy Birmingham

Performing in Academy 3, headliners are Lipzkin – the eclectic three piece from Staffordshire, who combine acoustic melodies with beatboxing, rap and soulful vocals. Support comes from The Synth, Quarry and a Birmingham Review favourite, Call Me Unique.

Manifest Live present Lipskin + Call Me Unique, Quarry, The Synth, at the O2 Academy 3 on Sat 11th Jan.

Tickets are £6.05 + booking fee. Doors open at 7:30pm

For more info & tickets, visit: http://www.o2academybirmingham.co.uk/event/62316/manifest-live-ft-lipzkin-tickets

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Lipzkin

Lipzkin

A partnership between beatboxer Matty Mullaney, rapper/singer Arron Erskine, and singer/songwriter Arran Page, Lipzkin have delivered some unusual goods.

But with a backbone of varied talent, including strong vocals from both Erskine and Page, Lipzkin have a refreshing cross genre approach; with acoustic melodies taking equal prominence to rapped verse and beats.

Apparently formed after an accidental jam, when Mullaney and Erskine saw Page busking and decided to join in, http://youtu.be/4n3R4NDvTP4, Lipzkin have now been picked up by Molaman Records – the New York imprint know primarily for grass roots House productions. Lipzkin’s first release on Molaman, ‘Break What You Break’, was released this month, with an album scheduled for Feb ’14.

For more on Lipzkin’s releases through Molaman Records, visit http://molamanrecords.com/shop/

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Call Me Unique

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And that she is… Call Me Unique is steadily cementing her place as one of Birmingham’s more refreshing artists.

Rising above the city’s rank and file with six strings, pertinent lyrics and softly strong vocals, Call Me Unique has been respectfully grafting away for some time now. No stranger to Birmingham’s (and beyond) live music circuit, Call Me Unique has earned her stripes with engaging central/solo performances – delivered with equal vigour from the back of a bus to the LG Arena.

Now sharing stages with some serious A-Listers, regularly touring abroad, receiving the odd award nomination and a having just released a very generous 7 track EP, 2014 is already looking bright for this Birmingham artist. One to watch, and watch, and watch again.

Birmingham Review last saw Call Me Unique at The Bull’s Head, supporting Keziasoul at Sam Redmore’s Freesytle promotion – click here.

For more on Call Me Unique, visit http://www.callmeunique.co.uk/

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Ed’s Note…

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I can’t remember where I heard about Lipzkin, but it was this video that I saw: http://youtu.be/C_FKWSaXr6M

I spent the first 11 seconds being irritated by the wind against the microphone, and casually wondering why there were all standing in a field. Then Arron Erskine started singing, “…I pray to a God I don’t believe in”, and by the time Arran Page finds his vocals I’m searching Google for a tour date or album.  I haven’t seen Lipzkin live, but I’m guessing with busking, beat boxing and rap battles behind them this could be where they excel.

Call Me Unique has been firmly on my radar since I heard her perform, alongside Jenna Varndell, on Radio WM a few years ago. Having met her whilst working on Soweto Kinch’s 2010 Flyover Show, I’ve watched the ebbs and flows of her musical path for a while – finding it hard not to get garrulously excited about nearly everything she does. And whilst I can make references and comparisons, she is, truly, Unique. A rare gift to the city.

N.B. is with sincere disappointment that we couldn’t include Quarry and/or The Synth in this BPreview. Manifest weren’t answering their phones, and we couldn’t find anything online to research either acts. Not good, especially for a showcase.

OPINION: “…I heard his mum’s got AIDS”

Butterfly screen break - lr - smBy Ed King

I’m acting like a child. And this conversation is losing me friends.

It’s alienating colleagues, polarising peers, and upsetting a family who just want to chat over tea. And I keep having it. I keep stamping my feet. By the end of the year I could be in this room alone.

But the issue, to me at least, is important; one I hope gets discussed by the rational, forthright and intelligent. Or, in light of my own (continually failing) endeavours, is approached with enough compassion to be first heard, second understood, and ideally further discussed.

So what’s the story? Well, if the headline is ‘Media Responsibility’ (or integrity) then the subtext is ‘a complicit public’; the promulgation and knee jerk acceptance of news, as reported in the public domain.

It’s the pub table conversation, and the headlines from canny media who are trying to garner numbers instead of fostering truth. Or even just fact, if the truth is still under question. It’s our own immediate, yet oddly often still cynical, endorsement of a story – and the duplicitous machines that churn one fact into 10 different angles, spoon feeding the public fatuous rhetoric it can pass off as informed commentary; in a garrulous regurgitation of perceived information, often accumulated from partisan sources, to purport a basis of knowledge, understanding or learned opinion. Or in essence, talking shit.

And I’m not claiming to be a bastion of credibility. I DO THIS TOO. Thankfully not very often (anymore) and whilst making the appropriate, if not egotistically clandestine, reparations.

But it’s becoming a bad habit many of us fall into without either the care or attention to mend our ways. Or even notice our ways. It’s becoming more prevalent in intelligent company, a set play amongst the under informed, and permeating the bitter cracks of a society that taught me to wear CND badges and fight racism in the playground. The same voices that told me to see beyond colour (or to not see it out of context at all) are now telling me how “I’m not racist but… “

N.B. If you are concerned about immigration, or ‘don’t understand why we can’t have an open and frank conversation’ about its potential burdens on the welfare state, Google. Seriously. Find the factual answers to the statistical questions you have, from reputable sources in the public domain, and start from there. Otherwise it’s a rant about something else.

I sound on the attack, and reading this back I can understand why my attempts at discussing the issue have fallen on apathetic, then defensive, ears. No one wants to listen to a man screaming at them. And I need to work on that.

But this is bigger than me, it’s bigger than you; and it’s bigger than the discussions, failed or fervent, one has with the other. It’s a big problem, but could be combated with a button touch of cross referencing through the world’s largest library, available in many homes, cafes and (ironically) libraries.

I believe this short cut to thinking is divisive. It spreads misunderstanding, undermines the role of truth, and turns the free press into a playground of ignorance. It also makes us, the willing recipients of such hyperbole, into ambassadors of lies. In a war they’d call it propaganda.

Plus it leads to conversations like this, held between me and an old friend of mine (an intelligent man with more compassion than I) about the suspected involvement of a British national in the Westgate Shopping Mall attacks, in Nairobi, on Sept 21st – 24th 2013:

Friend: “…with a British woman being one of those behind it. Apparently the Kenyan government has evidence of her involvement in the attacks.”

Me:  “I saw her picture on several front pages, what’s the evidence Kenya has?”

Friend: “That she was involved, they’ve got proof apparently. Evidence.”

Me: “What evidence?”

Friend: “Evidence.”

Me: “OK, but what evidence? Tell me exactly.”

Friend: “Official evidence, linking her to the attacks.”

Me: “…you can’t just say evidence, what evidence?”

Friend: “Proof. Evidence.”

Me: “What evidence?”

Friend: “Evidence.”

Me: “WHAT EVIDENCE???”

(Repeat the last two lines, with increased incredulity from ‘Me’ and calm reiteration from ‘Friend’, and you can start to see the roots of both my frustration and alienation)

The saddest result of this conversation, and others like it, is that nobody learns anything. I honestly didn’t know much about the Westgate Shopping Mall attacks, whilst my friend was simply trying to make conversation. But his refusal to concede the holes of information, and my frustrated verbosity, alongside the widespread evolution of a story that’s been bobbing up and down since the Kenyan government issued a warrant for the arrest of Samantha Lewthwaite on Jan 4th 2012, leaves us literally just fighting in the street. None, the, wiser.

But it’s not just the overt contentions of a Daily Mail lead with the words ‘white’, ‘woman’, ‘Islam’, and ‘terrorist’ in it. It’s the misrepresentations of culture over a faculty’s shortsighted policy on appropriate campus clothing. It’s the unsubstantiated flame fanning over figures on a Work & Pensions press release. It’s the threat of new disease, the dangers of food, the war of the sexes; it’s the paedophile in the classroom and the bomber at the bus stop. The world is full of enough bigotry, misfortune and danger – we don’t need to make up any more.

Plus, and perhaps the most pertinent fallout of all, it stops intelligent discussion. As does me shouting “WHAT EVIDENCE???” at three in the morning.

As I said, this conversation is losing me friends. But thankfully the ones who know me well are still sticking around; and I, in turn, have added ‘more compassion’ to my New Year’s resolution list.

But it worries me that we are descending into a world of comfortable fear, that the pure joys of knowledge are being replaced by a herd’s need to accuse and chastise. That our egos are so rampant we value social prominence over progression. That fact beats fiction if it gets a laugh or an approving murmur. That with more news has come more avenues to manifest our frustrations. That as the information age excels, with an array of devices to disseminate fact and nurture community, we stick to throwing stones and slinging mud. That ignorance is winning.

I don’t like this culture we’re fostering; I don’t like my part in it, and I don’t like what it’s doing the world around me. It reminds me of the bullies at school, and the whispering court rooms that would accuse and sentence before lunchtime; a time and place I was glad to leave and see no sense in returning to.

So in hopefully more dulcet tones I’ll keep asking asking “what evidence?” across 2014, and hopefully someone will check the facts and get back to me. And in the meantime I’ll make a promise to try and temper my tantrums.

I guess we all need to grow up.

Ed King is editor of Birmingham Review: https://twitter.com/edking2210

PREVIEW: New Year’s Eve 2013/4

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As the ticking clock to 2014 get louder… and LOUder… and LOUDER, we’ve cherry picked a few of our favourite venues to see what they’re bringing to the New Year’s Eve bun fight.

Plus we’re running a 10 WORD NEW YEAR’S EVE REVIEW competition for all of the events featured, where you can win tickets to a multitude of Birmingham venues. Check out our Paid for Content page & Support Our Stories for more info.

So with a short overview, appropriate links, and a note from our Editor – here is a Birmingham Preview of New Year’s Eve 2013/4:

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Ort Café

Offering a ‘Fantasy New Year’s Eve Party’, Balsall Heath based Ort Café is finishing the year with a live show from Free School – the Birmingham based purveyors of ‘sunny Balearic sounds of summer and the icy kosmiche sounds of winter’. Fancy dress is optional, with Free School potentially performing behind ‘masks of lamb’.

Price: £8 advance

Times: 9pm onwards

Link: http://ortcafe.co.uk/?p=3748

Butterfly screen break - lr - smEd’s note… One of Birmingham’s more encouraging venues with one of Birmingham’s more encouraging acts playing; all in all, Ort Café’s NYE bash is very… I’ve been a big fan of what Ort Café are up to and Birmingham Review has seen some cracking gigs there in 2013 – Daisy Chapman & Rhiannon Mair being a personal highlight. One to keep watching in 2014

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Cherry Reds (Kings Heath)

Adopting the almost ubiquitous ‘Speakeasy’ approach, Cherry Reds (Kings Heath) are committing a serious act of event altruism by holding a free party this New Year’s Eve. Cosy, compact & considered, Cherry Reds has been a welcome alternative to the York Street blossom of recent years – but you’ll probably have to get there early to squeeze yourself in on NYE.

 Price: Free

Times: Open from 10am – 1am

Link: http://www.cherryreds.com/events.html

Butterfly screen break - lr - smEd’s note… There’s a lot to like about Cherry Reds (Kings Heath); from the beer to the burgers it’s a cracking little place to spend some time/money. Not sure how it’ll fare with a New Year’s Eve rush though, and the possible drunk overspill from its well attended neighbor; but the free entry NYE offer deserves a nod of approval

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The Victoria / Island Bar

Bitters ‘n’ Twisted have tied their John Bright/Suffolk St venues together for a double whammy New Year’s Eve. With a mix of music from Northern Soul, Motown, Disco & Rock to ‘ferocious funk and guerrilla groove’, whatever the latter may turn out to be. One very reasonably priced ticket allows you to jump between the two neighbouring venues.

 Price: £8 advance / £10 on the door

Times: 9pm – 3am

Link: http://www.thevictoriabirmingham.co.uk/#/new-years-eve

 Butterfly screen break - lr - smEd’s note… Steadily marching through Birmingham, Bitters ‘n’ Twisted have been breathing life into old dogs for a few years now; with a very sexy array of venues in their current portfolio. But The Victoria is one of my favourites, and the NYE door price would be acceptable for just the John Bright St venue. But with two more floors of parties at the Island Bar thrown in for a tenner or under, we salute you.  

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The Church

Another free party, this time from The Church in Hockey (Great Hampton St). Soul Food Soundsytem will be bringing a ‘mix of funk, soul, hip-hop and New Orleans magic’ to the JQ New Year’s table, plus the occasional roof top roast chestnut.

Price: Free

Times: Undisclosed

Link: http://www.churchjq.co.uk/events/new-years-eve-2/

Butterfly screen break - lr - smEd’s note… Worth it for the Whiskey cocktails alone. The Church is another favourite of mine; with a solid kitchen, gregarious staff and a lavish cocktail menu. Especially the Whiskey ones. And although they could probably have charged and comfortably got away with it, they’re opening their NYE doors for free.

Did I mention the Whiskey cocktails..?

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The Glee Club

Offering only comedy on New Year’s Eve, The Glee Club has sold out its Main Room party but is extending into the Studio Room for extra capacity. Comedians Andy Robinson, Ian Coppinger, Romesh Ranganathan & Andrew Lawrence will all be performing stand up in both rooms – but for a decreased ticket price in the smaller Studio. Food is only available in the Main Room.

Price: £20 Studio Room

Times: 8:30pm until close

Link: http://www.glee.co.uk/birmingham-comedy#birmingham-new-years-eve-comedy

Butterfly screen break - lr - smEd’s note… Gigs at The Glee Club are a joy to review. Markus Sargeant has built a cracking music programme, bringing acts & artists that you wouldn’t see elsewhere in Birmingham. Or perhaps you just wouldn’t want to. Some of my most memorable reports have been from The Glee Club, and although Birmingham Review hasn’t delved into their comedy offerings yet…

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For more details on our 10 WORD NEW YEAR’S EVE REVIEW competition, visit our Paid for Content page & Support Our Stories.

Happy New Year from all at Birmingham Review

REVIEW: The Twang + Wide Eyed, Superfood @ The Rainbow Warehouse, Sun 22nd

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Words by Heather Judge, pics by Jonathan Morgan

For the full Flickr of pics, click here

The Twang just scream ‘positive Indie’, it’s all in their name; unlike other alternative bands who lay it on heavy with the whole ‘yeah life is good but don’t forget the bad’.

I was part of the crowd years ago when they were at support act at the Carling Academy and even then you could sense how they were going to turn out.

the twang-3177 - lrNow, years later, The Twang have had to add an extra date on to their stay at The Rainbow Warehouse due to significant demand. This Birmingham bred band have gone from having bad reviews calling them thugs, to having a sell-out crowd. Twice. In a row. At Christmas.

But tonight’s (and tomorrow night’s) gigs are more than just a ‘homecoming’; there’s a new addition to The Twang’s back line, and album No4 is scheduled for release in early 2014 with this being the first outing for their new material. Plus The Twang all still live in Birmingham, so ‘homecoming’..?the twang-3345 - lr

But despite the ghost of new songs future, I couldn’t quite catch the new tracks from the set. The Twang have some stalwart anthems in their arsenal, and I guess it’s hard to beat lines like “what was I thinking with that MILF”. But five minutes in and it was evident these lads are proud to play in their hometown, and to their own people if you will; the energy, love and pride is distracting, and streaming off the stage in waves.

the twang-3313 - lrAnd the crowd are locked in. I hold a quick mobile count (judging audience attentiveness by how many handsets I see) and see The Twang significantly more supported than other live bands I could currently mention. There is a handful of texting, but the vast majority of the room are here with one unanimous intent. It is actually quite beautiful.the twang-3185 - lr

In fact, the only negative thing of the whole night is the venue. Although The Rainbow Warehouse is known for hosting major Birmingham events and club nights, tonight it neither looks or feels like it.

Dark and dingy, I hold on tight to my shoes and continue to wipe down my bottle before drinking; The Twang roaring through the first of their Xmas sets as I slowly become glued to floor.

Still, there could be worse places to get stuck at Christmas.

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For more on The Twang, visit http://www.thetwang.co.uk/

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For more from Birmingham Promoters, visit http://birminghampromoters.com

For more on The Rainbow Venues, visit http://www.therainbowvenues.co.uk/

REVIEW: Hot Club de Swing Xmas Spectacular @ Hare & Hounds, Fri 20th Dec

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Words by Althea Patterson, pics by Carlie-Ann Hare

For the full Flickr of pics, click here

Well this is ridiculous fun…

Straight-laced amateurs move closely and nervously, while the more serious dancers sway and bop with gracious ease; shaming all us who sit and gawp._DSC0033 - lr

Tattooed rockabillies Jive and Lindy-Hop to beautiful Swing music. Gig posters for Cab Calloway, Ella Fitzgerald and Duke Ellington adorn the walls. Is this really 2013 Kings Heath, or a Capone controlled Speakeasy in 30’s Chicago?

_DSC0013 - lrWhatever it is, it’s brought out an eclectic mix of folk; from hippies, rockers, too-cool-for-school wannabes and the simply curious, wondering what the hell is going on. I sup my beer and embrace the madness.

The dancers continue to move with ease and style, perfecting routines that would make a surefooted cat look clumsy; an absolute delight. My cohorts and I sit watch with respect and a twinge of envy.

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In the first of two rooms, I was in the one for the dancers and shakers. And it’s a refreshing change to slip between centuries; from Singapore Sling to Sex on The beach in a heartbeat.

In the second room – what a contrast. My neck cricks at the speed of the spin. Faux Flappers writhe between hip hoppers, Electric Swing Circus slap the stage with their infectious exuberant eclecticism; with influences as diverse as Bjork, Erykah Badu, Janelle Monae and the Spice Girls.

_DSC0008 - lrElectric Swing Circus’ leading lady, Laura Louise, dons a Santa-esque red dress trimmed with faux ermine to belt out a confident set. A lady who says she’s a natural extrovert, I fall in love with her stage presence._DSC0036 - lr

And the band are kicking down the door of change in music for 2014; declaring they want to “bring something spectacularly fresh to pop music”. I hope they do; as go home at 3am, listening to their deliciously infectious eponymous debut album, I still have oodles of energy.

A great night; I loved the dancing, the 40’s seamed stockings, zoot suits, and gusto from the passionate people both partaking and observing.

Thank you Hot Club de Swing, have a spectacular Christmas, and more please.

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For more on Hot Club de Swing, visit https://www.facebook.com/hotclubdeswing

For more on Electric Swing Circus, visit http://www.electricswingcircus.com/

For more on the Swingamajig festival, visit http://swingamajig.co.uk/

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For more gigs at the Hare & Hounds, visit http://hareandhoundskingsheath.co.uk/event-listings