Eleanor Sutcliffe Photography Archives

April 20, 2018

BPREVIEW: Mallory Knox @ Mama Roux’s 24.04.18

Mallory Knox will be performing an intimate show in Mama Roux’s on Tuesday 24^th April as part of their spring UK tour, with support from Dead! and JUDAS.

Doors open at Mama Roux’s from 7:30pm, with tickets priced from £20 (plus booking fee) – as presented by Kilimanjaro Live. For online ticket sales click here. To visit the gig’s Facebook Event page, click here.

Following main stage performances at the Reading and Leeds Festivals, and the independent release of their latest track ‘Black Holes’, Mallory Knox are proving themselves a force to be reckoned with.

Building up their fan base since the release of their debut UK album, Signals, back in 2013, the band have slowly but surely climbed their way to the top of the UK alternative rock scene. Just under a year later and the release of their sophomore album, Asymmetry, landed them at No16 in the UK Album Charts and secured them a host of performances with bands such as Pierce the Veil and Sleeping with Sirens – as well as an independent UK tour that saw them sell out London’s Electric Ballroom two nights in a row.

This continued to peak when Mallory Knox were announced for both the Slam Dunk Festival and the iconic Vans Warped Tour –with the band’s last studio album, Wired, released in March 2017 and reaching both No1 on the UK Rock & Metal Album Charts and No18 on the UK Album Charts.

Committed to carving out their own niche in the UK music scene, Mallory Knox have spent years developing their sound – just listen to the differences between tracks such as ‘Oceans’ and ‘Sugar’ if you don’t believe me. And boy, has it paid off. Their commitment to experimentation without straying too far from the path has resulted in the band becoming a favourite with rock and metal fans across the UK.

Although this time, it could be slightly different. The seemingly sudden departure of Mikey Chapman has lost Mallory Knox their unique vocals. Although from what we’ve heard of ‘Black Holes’, Mallory Knox’s co-vocalist and bass player Sam Douglas seems more than ready to take the reins.

Playing it safe with a string of intimate shows across the UK this spring, coming to Mama Roux’s in Birmingham on Tuesday 24^th April, it’s just exciting to see what Mallory Knox have in store for us next.

‘Black Holes’ – Mallory Knox

On Tuesday 24^th April, Mallory Knox play at Mama Roux’s with support from Dead! and JUDAS – as presented by Kilimanjaro Live. For online ticket sales click here. To visit the gig’s Facebook Event page, click here.

For more on Mallory Knox, visit www.malloryknox.com

For more Dead!, visit www.theinternetisdead.co.uk

For more on JUDAS, visit www.wearejudas.com

For more from Kilimanjaro Live, including further event listings and online ticket sales, visit www.kilimanjarolive.co.uk

For more on Mama Roux’s, including venue details and further event listings, visit www.facebook.com/mamarouxs

April 4, 2018

BREVIEW: The Twisted Circus @ O2 Academy 30.03.18

Words & illustrations by Emily Doyle

The O2 Academy stage is decked out like a big top in preparation for The Twisted Circus, as Klub Kids are bringing seven world class drag performers to Birmingham. The show is late to start due to traffic on the M5. The audience are eager but good natured, and happy to pose for the charismatic photographer perching on the crowd barrier.

A troupe of dancing clowns starts the proceedings, and the compere arrives. Andrew wears a tasseled ringmaster’s jacket. Our host makes no bones about the fact that the event is running late, ditching the banter and even the interval so that all the performances can run. His “the show must go on” attitude is admirable, and results in a fast paced evening. In a venue as large as the O2 Academy, an interval is no great use to the crowd anyway – a trip to the bar means losing your hard earned space near the front.

Farrah Moan is the first queen to perform. The twenty three year old starlet also got the memo about the circus theme, wearing a red basque complete with knee length tails. Her lip sync performance is sedate and elegant, though in a venue this size it feels a little low energy. She does cut a stunning figure on stage, though, and her fans seem delighted.

Putting in a performance that is most definitely big enough for the back row, is Milk. Fresh from appearing on the latest series of Ru Paul’s Drag Race All Stars, Milk performs a salacious lip sync to Barbara Streisand’s, ‘He Touched Me’.

Her second turn sees her nail a full routine to her own song, ‘Touch the Fashion, Change your Life’, complete with backing dancers and giant inflatable hands. Milk bounces around the stage in a frilly Bo Peep dress, and she is a joy to watch. In a line-up of queens who take their performances very seriously, Milk is a breath of fresh air.

South Korean/American drag queen, Kim Chi, gladly fulfills her billing as a ‘live action anime star’ with her otherworldly looks; her regal performance style and large flowy outfits command the stage. Her second lip sync sees her draped in black sequins with a large feathered headpiece. Statuesque, Kim Chi looks like a cross between Maleficent and the forest spirit from Princess Mononoke.

Central to the show is world-renowned Cher impersonator Chad Michaels, who performs a flawless lip sync to ‘Woman’s World’ and ‘Strong Enough’. Michaels wears a shocking blue peacock outfit and backs up her performance with live footage of Cher wearing the very same. Smart, as many of the audience members are too young to properly remember Cher. Celebrity impersonation feels a little dated among the more avant-garde performers on tonight’s bill, but Michaels carries it off with a smile and delights in judging an audience dance off.

Perhaps one of the most anticipated queens of the night is Violet Chachki. The Drag Race Season 7 winner waltzes on stage in a pink showgirl costume, complete with top hat, cane, and enormous skirts. She treats the audience to an enchanting lip sync to her new single, ‘A Lot More Me’. The burlesque striptease ends with Chachki posing in gold thigh high boots and a thong. She keeps the hat on.

Next from The Twisted Circus is Shea Couleé, showcasing the nights most impressive choreography with a routine to the new single, ‘Cocky’, from her Couleé-d EP. She struts across the stage in a retro-futuristic lime green catsuit and rectangular sunglasses. Her performance is pop star perfect. Over the electro beat, she spits such inspired lyrics as: “Ms. Couleé gon’ be a legend/but congrats ’cause all dogs go to heaven.” On the studio version of the track, fellow Chicago queen The Vixen has a verse. If this is the company she keeps, The Vixen is definitely one to watch on the new series of Drag Race.

Our host, Andrew, takes great pleasure in introducing The Twisted Circus’ next star on stage, “the most expensive body in the world, Amanda Lepore”. Lepore’s attitude is pure punk rock. She comes out to her own track, ‘Buckle Up’, which quickly morphs into a listless rendition of David Bowie’s ‘The Jean Genie’.

Lepore seems well-aware of her status as more of a living sculpture than a performer. She wastes no time in stripping down to pasties and holdups, and basks in the spotlight. Lepore is later joined on stage by Farrah Moan and Violet Chachki for an impromptu routine to ‘Diamonds Are a Girl’s Best Friend’, where the three of them are luxuriated in rhinestones and furs.

When The Twisted Circus finally drops the curtain, just before curfew, it’s hard to believe it was all packed into ninety minutes. But despite the delays, all tonight’s performers and the team at Klub Kids pulled through and delivered a fabulous evening. One that neither motorway traffic nor the ever-present threat of more snow could stop Birmingham coming out to enjoy.

For more on Klub Kids, visit www.klubkids.co.uk

For more from O2 Academy Birmingham, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham

March 31, 2018

THE GALLERY: Fall Out Boy @ Arena Birmingham 27.03.18

Words & pics by Eleanor Sutcliffe

I’ve always wanted to see Fall Out Boy. Ever since I smuggled my brother’s album collection from his room and listened to them on my paint splattered stereo, I’d been determined to catch the band live and in action.

Due to Arena Birmingham’s new security procedures, getting into the venue took longer than usual. So, I unfortunately missed the first support slot – MAX. However, I arrived in time to catch Against the Current – and what a set it was.

Bursting on stage to their single ‘Wasteland’, singer Chrissy Constanza weaved her way across the platform belting out track after track of pure, unaltered pop rock. Songs from their debut album In Our Bones, such as ‘Blood Like Gasoline’, went down a storm with the Arena crowd, as did their closing track ‘Gravity’. Hopefully, it won’t be long before Against the Current head out on their own UK headline tour – they’ll have gained enough fans from this run with Fall Out Boy to do so, that’s for certain.

Fall Out Boy are no strangers to theatrics and this show was no exception to that rule. As the house lights went down, and the stage lit up with a video of crashing waves and a timer, the room erupted into a cacophony of participation as fans counted down with the clock. Opening with their track ‘Phoenix’, I was expecting drama – however, as countless pyro flares went off (and I felt my skin burn from the heat) I realised I may have underestimated just how much effort the band would have put into production.

You name it, they had it. Pyrotechnics, smoke grenades, strobes, even two levitating stages by the sound desks clad in LED screens – if you haven’t heard of Fall Out Boy before, I urge you to see them play not just for the music, but for the experience. It’s rare these days for a band to put together such a strenuous, precise set, and to pull it off with seemingly effortless ease that I cannot even begin to comprehend how.

Bounding up and down the central walkway, singer Patrick Stump and bass guitarist Pete Wentz seemed to possess endless energy throughout the set – sprinting up and down continuously, only stopping to haul themselves onto the two levitating stages at the end. For all of those who had queued to hug the barriers down at the front, this must have been incredibly frustrating – however for the fans cooped up in the balconies, it was a real treat. If you can’t get to Fall Out Boy, rest assured they’ll bring their show to you.

Still riding high on their own phoenix from the flames, and a cemented return to form with MANIA – their third album since the ‘decompression’ – their set list was as varied as ever too. Newer material such as ‘Young and a Menace’, played by Stump on a grand piano, nestled in next to fan favourites such as ‘Dance Dance’ across a 23-song set that was sure to please everyone in the Arena crowd.

There was even an array of challenging and (no doubt intentionally) incendiary video screen clips – from babies swearing during ‘I Don’t Care’ to footage of Princess Diana’s life and untimely death during ‘Champion’. You could almost feel the Daily Mail journalists sharpen their Parker pens at the latter.

But as for the four lads from Illinois, on stage and at the centre of it all, Fall Out Boy pulled together a set that was both provocative and thoroughly enjoyable. And for me, bucket list – tick.

Fall Out Boy @ Arena Birmingham 27.03.18 / Eleanor Sutcliffe

For more on Fall Out Boy, visit www.falloutboy.com

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Against the Current – supporting Fall Out Boy @ Arena Birmingham 27.03.18 / Eleanor Sutcliffe

For more on Against the Current, visit www.atcofficial.com

For more from SJM Concerts/Gigs and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more on Arena Birmingham, including venue details and further event listings, visit www.arenabham.co.uk

March 30, 2018March 30, 2018

THE GALLERY: Rews @ Hare & Hounds 22.03.18

Words by Ed King / Pics by Aatish Ramchurn & Eleanor Sutcliffe

“…can anyone take my ticket?”

A man stands in the doorway at the Hare & Hounds, gesticulating like a proud Neville Chamberlain. OK, bad example. But it’s 7:30pm, the venue has just opened, and there’s a queue forming behind him. As gigs on a school night go this is looking promising.

And so it should be, the once ‘rising balloon’ now ‘rock powerhouse’ of Rews have returned to the city – bolting a Birmingham gig onto the end of their UK spring tour, before finishing their run with dates in Ireland and Northern Ireland. Plus, they’ve sold out. On a Thursday. Something that’s a shiny badge of honour for bands that play in the second city, and one that is unassailable Rews deserve.

Since releasing their debut album, Pyro, back in November 2017, the Marshall signed two piece have been relentless in their performances and promotion – with their penultimate single, ‘Your Tears’, recently receiving a week of A-List airplay on Radio One. Rews are on the march, and it’s working. This is a band that you only have to see play once to become hooked. And from most of the DJs on Auntie’s No1 station to the room full of people coming tonight, there’s many who’d agree.

The Hare 2 continues to fill up, with the venue’s narrow stairs looking like a bathroom queue at a house party. Roddy Woomble is playing in Hare 1, launching the promo campaign of this year’s Mosley Folk Festival, and it’s a busy night all round in Kings Heath. The buzz in the air is both cliché and palpable, with a healthy half room turnout by the time Rews’ first support band, P.E.T, swagger on stage – dripping head to toe in punk paraphernalia and attitude.

“Take your hands off me, I’M NOT YOUR P.E.T”, declares front woman, Abi Whistance, screaming into the mic and over the crowd – who have edged closer to the stage to find out where this ‘tiny but mighty’ noise is coming from.

P.E.T are relatively fresh faces on the Birmingham live circuit, having formed as the leaves fell in 2017. But already they’re already picking up a wealth of support and steam, with their unrelenting thrash punk and dead pan humour – stabbing the ribcages of the establishment with ‘Eton Mess’, to cutting off those wandering hands with their eponymous opening track. It’s raw, unashamed, and musically solid. This is a band who could get somewhere, or take us all down in the most colourful of ways whilst trying. But I’d watch out for P.E.T… tonight’s ‘rising balloon’ baton has been firmly handed over.

The rolling cymbal crashes and rough vocals of You Dirty Blue are on stage next, washing the room with waves of psychedelic and garage rock. I’m reticent to call it ‘blues rock’ again, as the man to my left is currently reading the BPREVIEW for tonight’s gig, smirking, shaking his head like a straight laced Will Self, and muttering “…this is not blues”. He might even be right, in his lexicon and record collection at least, but it seems no one really cares as the Tamworth two piece kick out tracks from their Tough Crowd EP and beyond.

Walls of sound are built and knocked to the ground, riffs get scatter gunned, as Leon James’ rough but endearing vocals lead us through a Velvet Underground tinged Purple Haze with some Seattle seeded two fingers up. You Dirty Blue’s final track, of both tonight’s set and their Tough Crowd EP – ‘Gallow Dancer’, punches a particular hole in the room, with a melodic hook and chorus I dedicate to the smart phone wielding ‘man to my left’. It’s like drowning in a lava lamp whilst John Peel and Bruce Pavitt play you ‘some really cool shit’. And if you have any room on the inside of your forearm left, carve You Dirty Blue as a musical reminder. Awesome stuff.

Some set changes ensue and fervent mummering begins, as Rews get ready for their headline set – the eager beaver Thursday night crowd pushing itself towards the front of the stage. Awesome to see such enthusiasm, but not easy when you’re juggling drum kits on a busy stage. Lights down, lights up, mummering stops, and like the opening scene in Back to the Future (minus the clock, coffee or dog food) we are poised – somewhere a plectrum glints…

Immediate and personable, Rews (aka Shauna Tohill and Collette Williams) beam their appreciation to the crowd and across the room – launching into the staple of tracks from their debut album. ‘Let it Roll’ bounces off stage declaring the rock intentions of tonight’s set, reeling in an already health and safety defying audience with invisible fish hooks. No one here gets out alive, or at least until the end of the set, as the great and good from Pyro and beyond (…album two?) get a rigorous shake. Or even ‘Shake Shake’, but not until a little later.

There’s a real joy in watching Rews perform, and not just because their already tight performance seems even more polished this time around. It’s the sheer energy and enjoyment you get sweeping off stage. Rews are in Birmingham at the end of a long and arduous tour (…think snow, lots of snow) but tonight could be the first time they’ve stepped on stage after a month in the sun and several nights of interrupted sleep. The banter is great as well, with the closeness between the two musicians making the whole room feel part of something special.

Then comes ‘the moment’. Rews had alluded to adding a “sort of an electro acoustic rendition of one of our older songs” into the set, after their gig in Leeds a few nights before. And as Williams leaves her stool to join Tohill at the front of the stage, this is what we’re about to get – soft steel strings and a tapped out percussion deliver a stripped back version of ‘Everything’, one of Rews’ older tracks that is getting a post Pyro make-over. It’s beautiful. My job is to find words but often I can’t, and this just works. Rews work. Add your own hyperbole.

Crammed into the edges of the merch stand, I let the rest of the set wash through me. I think I scribble the words ‘triumphant’ and ‘step up’ into my notebook, but any serious reportage is done for the day. Thankfully there’s a load of pics to help you piece this night together (see below) if you weren’t there to witness it first hand – with the full Flickr of pics from Aatish Ramchurn here, and from Eleanor Sutcliffe here.

And it you didn’t make it to the Hare and Hounds on 22^nd March, or if you’ve not seen this continuously impressive rock duo before, I strongly suggest checking Rews out for yourself. If you haven’t got a copy of Pyro, start there. But if you ever see them on a bill poster, in whatever corner of the globe you call home, then put your hands in your pocket and buy a ticket. It’s hard to imagine you’ll feel short changed. And next time Rews come back to Birmingham, you might want to move a little quickly whilst you’re at it.

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

For more on Rews, visit www.rewsmusic.com

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You Dirty Blue – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

For more on You Dirty Blue, visit www.youdirtyblue.com

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P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

For more on P.E.T, visit www.facebook.com/petbanduk

For more from Metropolis Music, visit www.metropolismusic.com

For more on the Hare & Hounds (Kings Heath), including venue details and further event listings, visit www.hareandhoundskingsheath.co.uk

March 27, 2018March 27, 2018

BPREVIEW: The Twisted Circus @ O2 Academy 30.03.18

Words by Emily Doyle

On Friday 30^th March, national promoters Klub Kids present ‘the biggest and most unique show of drag HERSTORY’ – as The Twisted Circus comes to town, stopping off for one night at the O2 Academy Birmingham.

Doors open from 6pm for VIP ticket holders and 7:30pm for general admission. Minimum age of entry is 14, with under 16s requiring adult accompaniment. Standard tickets are priced at £25 (Eventzilla) and £30 (Ticketmaster) plus booking and service fees. VIP tickets, which include a meet and greet with the stars performing, are priced at £100 from both outlets – although the booking and service fees do vary.

The Twisted Circus is presented by Klub Kids – for direct show information, click here to visit their Facebook event page. To buy tickets online, click here for Eventzilla and click here for Ticketmaster.

March has been a great month for drag in Birmingham. We’ve had Alyssa Edwards bringing her The Secret Is Out Tour to The Glee Club Birmingham, with BenDeLaCrème hot on her heels for a show at the same venue on 29^th March.

On top of all that, the lovely people at Klub Kids are rolling into town with The Twisted Circus. Taking place at the O2 Academy Birmingham on Good Friday, the show is set be quite the spectacle – featuring seven glorious performers, from rising stars to original New York Club Kids. The Twisted Circus line up (in no particular order) is as follows:

Former figure skater and Marc Jacobs model, Milk, will be appearing at The Twisted Circus. No stranger to the glitz and glamour of showbiz, Milk was recently announced at the new face of Madonna’s skin care range, MDNA. Now fresh from her appearance on Ru Paul’s Drag Race All Stars Season 3, Milk promises to be ‘udderly fantastic’.

Next is international seductress, aerial acrobat, and Drag Race Season 7 winner, Violet Chachki. Having performed drag and burlesque alongside icons such as Dita Von Teese, Chachki blends striptease, fetishwear, and her unmistakable vintage aesthetic, all in the name of ‘distorting the gender binary’.

Twenty-three year old Texan starlet, Farrah Moan, is also appearing at The Twisted Circus. Starting out her on stage drag career in Texas, Moan’s Barbie doll looks have seen her cast on Drag Race Season 9 and perform on the Las Vegas strip.

The Twisted Circus also presents Kim Chi, a towering 7ft queen and ‘ever evolving chameleon’. Born in the U.S. and raised in South Korea, Kim Chi’s upbringing informs her high concept looks which ‘encapsulates the transcendental nature of drag’ and celebrates performance art. Chi is also the name behind the doughnut scented ‘Kim Chi Liquid Lip Color’, alongside other products for the Sugarpill Cosmetics.

Next up, The Twisted Circus welcomes Chicago based model and musician, Shea Couleé. Having just released her visual EP, Couleé-D, Couleé uses her background in costume design to create breathtaking fashion and film. Just don’t mention Azealia Banks.

Also performing is international Cher impersonator, Chad Michaels. Part of Califonia’s longest running female impersonation show, The Dreamgirls Revue, Michaels went of to be the winner of Drag Race All Stars Season One and has since appeared in Jane the Virgin and 2 Broke Girls.

Finally in our box of Twisted Circus treats, we have Amanda Lepore. Said by photographer David LaChapelle to have, “the most expensive body on Earth”, Lepore is a model, singer, performance artist and transgender icon. Following her time as an original New York Club Kid in the early nineties, Lepore has gone on to release two albums, a memoir, and even her own Swatch watch.

The Twisted Circus comes to the O2 Academy on Friday 30^th March, as presented by Klub Kids. For direct show information, with links to online tickets from Eventzilla, visit The Twisted Circus Facebook event page – click here.

For more on Klub Kids, visit www.klubkids.co.uk

For more from O2 Academy Birmingham, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham